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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20260221T193000
DTEND;TZID=Europe/Berlin:20260221T223000
DTSTAMP:20260525T030054
CREATED:20260125T223740Z
LAST-MODIFIED:20260125T224046Z
UID:12812-1771702200-1771713000@mathis-nitschke.com
SUMMARY:KASSANDRA @ Theater Bielefeld
DESCRIPTION:A dramatic monologue expanded into a hybrid form with orchestra\, choir\, electronics\, and live cello improvisation. \nDirector: Nadja LoschkyAdaptation: Yvonne Gebauer\, Nadja LoschkyPerformer (Kassandra): Christina Huckle \nComposition: Mathis Nitschke\, Stefan BehrischComposition team / electronics: Jörg HüttnerCello (improvisation): Mathis MayrMusical direction & conductor: Anne Hinrichsen \n 
URL:https://mathis-nitschke.com/en/event/kassandra-theater-bielefeld/
LOCATION:Theater Bielefeld\, Brunnenstraße 3-9\, Bielefeld\, 33602\, Germany
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2026/01/KassandraPlakat.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20251212T193000
DTEND;TZID=Europe/Berlin:20251212T223000
DTSTAMP:20260525T030054
CREATED:20260125T222530Z
LAST-MODIFIED:20260125T222721Z
UID:12788-1765567800-1765578600@mathis-nitschke.com
SUMMARY:CABARET @ Residenztheater München
DESCRIPTION:Musical by Joe Masteroff (book)\, John Kander (music)\, and Fred Ebb (lyrics)\, based on the play I Am a Camera by John van Druten and stories by Christopher Isherwood. \nPremiere: December 12\, 2025Residenztheater Munich \nInfo: https://www.residenztheater.de/stuecke/detail/cabaret \nEmcee: Vincent Glander\nSally Bowles: Vassilissa Reznikoff\nClifford Bradshaw: Michael Goldberg\, Thomas Hauser\nFraulein Schneider: Cathrin Störmer\nHerr Schultz: Robert Dölle\nErnst Ludwig: Vincent zur Linden\nFraulein Kost: Myriam Schröder\nBoy: Quentin Becker / Leo Funk \nDirection: Claus GuthMusical Director: Stephen DelaneyAssociate Musical Director: Philip TillotsonSet Design: Étienne PlussCostume Design: Bianca DeignerSound Composition: Mathis NitschkeLighting Design: Gerrit JurdaChoreography: Sommer UlricksonDramaturgy: Yvonne Gebauer\, Almut Wagner
URL:https://mathis-nitschke.com/en/event/cabaret-residenztheater-muenchen/
LOCATION:Residenztheater München
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2025/12/cabaret_cg_resi_203_small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20251027T180000
DTEND;TZID=Europe/Berlin:20251027T230000
DTSTAMP:20260525T030054
CREATED:20251015T101035Z
LAST-MODIFIED:20251015T101035Z
UID:12453-1761588000-1761606000@mathis-nitschke.com
SUMMARY:CORPUS LIVE - An evening of Music\, Values\, and Machine Collaboration
DESCRIPTION:Monday\, 27 Oct 2025 · Schwere Reiter\, Munich · From 18:00 · Free Entry\nReserve your seat \n\n\nCORPUS LIVE marks the public start of our platform\, powered by the pioneering CORPUS royalty protocol\, which enables musicians worldwide to contribute their works to a shared music library for training generative AI. \nEvery track is registered\, allowing contributors to share in future revenues. Unlike existing music and AI licensing systems\, CORPUS applies a dynamic value model that rewards originality and quality rather than volume. \nThe result is a living library that evolves with its community — and a scalable\, high-quality dataset that enterprises\, startups\, and cultural institutions can safely integrate into their applications without copyright or compliance risk. \nThe evening connects music\, theory\, and technology: a keynote by Matthias Hornschuh\, performances by the Paranormal String Quartet and Tetra Brass & Felix Kolb\, discussions\, demos\, and an ambient sound installation. \nLearn more about CORPUS at crps.ai \n\nFull Schedule 27 October 2025\n18:00 – Doors open: Drinks\, finger food\, and conversations.\nConcert Installation: Tetra Brass performs works from different eras and styles\, interwoven with electronic soundscapes by Felix Kolb. \n19:30 – Keynote: Matthias Hornschuh (Composer for film\, radio drama\, and acoustic art. GEMA board member and spokesperson of the Authors‘ Rights Initiative)\n“Fairness in the Creative Industries: Overcoming Structural Asymmetries and the Struggle for a Level Playing Field.” \n20:00 – Presentation: CORPUS as an Ecosystem\nLive demo of the Contribution App and reflections on why AI in music matters — the value it can create for the community\, and how CORPUS positions itself as a technology company at the intersection of art and infrastructure. \n21:00 – Panel Discussion: Moderated by Martina Taubenberger (Curator and artistic director\, Kulturkonzepte)\, with audience questions. \n21:45 – Concert: Paranormal String Quartet – Fat grooves\, classical sound\, improvisational freedom \nDrinks and conversations continue until 23:00 \n\nCORPUS is a project by Sofilab GmbH\, initiated by Mathis Nitschke and co-funded by Creative Europe.\nThe CORPUS LIVE event is kindly supported by scope. \nVenue: Schwere Reiter\, Dachauer Str. 114a\, 80797 Munich\nTram stop: Leonrodplatz (Kreativquartier area)\nGoogle Maps: Link
URL:https://mathis-nitschke.com/en/event/corpus-live-an-evening-of-music-values-and-machine-collaboration/
LOCATION:Schwere Reiter\, Dachauer Str. 114a\, Munich\, 80797\, Germany
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2025/06/CORPUS.jpg
ORGANIZER;CN="Sofilab GmbH":MAILTO:info@sofilab.art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250704
DTEND;VALUE=DATE:20250719
DTSTAMP:20260525T030054
CREATED:20250316T074032Z
LAST-MODIFIED:20260125T222925Z
UID:11565-1751587200-1752883199@mathis-nitschke.com
SUMMARY:DON GIOVANNI @ Festival d'Aix-en-Provence 2025
DESCRIPTION:Conductor\nSir Simon Rattle \nStage direction\nRobert Icke \nSound\nMathis Nitschke
URL:https://mathis-nitschke.com/en/event/don-giovanni-festival-daix-en-provence-2025/
CATEGORIES:Musiktheater
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2025/07/don_giovanni_Aix_RI_253.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250317
DTEND;VALUE=DATE:20250324
DTSTAMP:20260525T030054
CREATED:20250316T073042Z
LAST-MODIFIED:20250316T073042Z
UID:11556-1742169600-1742774399@mathis-nitschke.com
SUMMARY:SAMSON @ Opera Comique\, Paris
DESCRIPTION:
URL:https://mathis-nitschke.com/en/event/samson-opera-comique-paris/
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2024/07/samson_062.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240704
DTEND;VALUE=DATE:20240719
DTSTAMP:20260525T030054
CREATED:20240117T211352Z
LAST-MODIFIED:20240312T115928Z
UID:10665-1720051200-1721347199@mathis-nitschke.com
SUMMARY:Samson @ FESTIVAL D’AIX-EN-PROVENCE
DESCRIPTION:CONDUCTOR AND MUSICAL CONCEPT\nRaphaël Pichon\n\n\nSTAGE DIRECTION\, CONCEPT AND SCENARIO\nClaus Guth\n\n\nSET DESIGN\nÉtienne Pluss\n\n\nCOSTUME DESIGN\nUrsula Kudrna\n\n\nLIGHTING DESIGN\nBertrand Couderc\n\n\nCHOREOGRAPHY\nSommer Ulrickson\n\n\nSOUND DESIGN\nMathis Nitschke\n\n\nVIDEO\nrocafilm\n\n\n\n\nEDITORIAL ASSOCIATE\nEddy Garaudel\n\n\nDRAMATURGY\nYvonne Gebauer\n\n\n\n\n\nSAMSON\nJarrett Ott\n\n\nDALILA\nJacquelyn Stucker\n\n\nTIMNA\nLea Desandre\n\n\nACHISCH\nNahuel di Pierro\n\n\nELON\nLaurence Kilsby\n\n\n\n\nL’ANGE\nJulie Roset\n\n\nUN CONVIVE\nAntonin Rondepierre\n\n\nLA MÈRE DE SAMSON\nAndréa Ferréol\n\n\n\n\n\nCHOIR AND ORCHESTRA\nPygmalion\n\n\n\n\n\n\n\n\n\n\n\nABOUT\n\n\n\n\n\nWhen\, in 1733\, Voltaire\, the most brilliant mind of his day\, collaborates with Rameau\, its greatest composer\, in undertaking an ambitious reform of operatic practice\, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon\, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history\, have tried\, not to recreate the letter\, but to revive the spirit: to marry a strong\, noble libretto with the most eloquent music. Samson is the chosen of God\, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force\, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott\, Jacquelyn Stucker and Lea Desandre in the principal roles\, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.
URL:https://mathis-nitschke.com/en/event/samson-festival-daix-en-provence/
LOCATION:THÉÂTRE DE L’ARCHEVÊCHÉ\, AIX-EN-PROVENCE\, Frankreich
CATEGORIES:Musiktheater
ATTACH;FMTTYPE=image/svg+xml:https://mathis-nitschke.com/wp18/wp-content/uploads/2024/01/logo-intro.be6905e9.svg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240317T100000
DTEND;TZID=Europe/Berlin:20241130T170000
DTSTAMP:20260525T030054
CREATED:20240312T113427Z
LAST-MODIFIED:20240312T113700Z
UID:10713-1710669600-1732986000@mathis-nitschke.com
SUMMARY:Start Again The Lament
DESCRIPTION:I helped artist Taryn Simon realizing her large scale sound installation. \n“In a relentless replay\, the lamentations of professional mourners are broadcast into the reverberating space of Cisternerne. These sonic rituals of grief include northern Albanian laments\, which seek to excavate ‘uncried words’; Wayuu laments\, which safeguard the soul’s passage to the Milky Way; Greek Epirotic laments\, which bind the story of a life with its afterlife; and Yazidi laments\, which trace a topography of displacement and exile. Cisternerne becomes an instrument echoing recitations of loss with a reverberation of 17 seconds. \nAs sound and visiting bodies move through repeating archways\, the installation merges darkness and light\, absence and presence\, singular loss\, and its exponential multiplication. The public is pulled through Cisternerne by lamentations sonically pushing against its walls in cacophony and silence.”
URL:https://mathis-nitschke.com/en/event/start-again-the-lament/
LOCATION:Cisternere Copenhagen\, Søndermarken opposite Zoo\, Frederiksberg\, 2000\, Dänemark
ATTACH;FMTTYPE=image/png:https://mathis-nitschke.com/wp18/wp-content/uploads/2024/03/tarynsimon_web-1920x1080-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T200000
DTEND;TZID=America/New_York:20230922T220000
DTSTAMP:20260525T030054
CREATED:20210725T165354Z
LAST-MODIFIED:20230808T072913Z
UID:9461-1695412800-1695420000@mathis-nitschke.com
SUMMARY:Doppelgänger @ Park Avenue Armory
DESCRIPTION:With Jonas Kaufmann\nHelmut Deutsch\, Pianist\nClaus Guth\, Director\nMichael Levine\, Scenic Design\nUrs Schönebaum\, Lighting Design\nRocafilm\, Video Design\nMathis Nitschke\, Sound Composition \nA New Commission by Park Avenue Armory \nIn a rare solo performance\, Jonas Kaufmann\, “the world’s greatest tenor” (The Telegraph\, UK)\, takes on the Wade Thompson Drill Hall in a theatrical staging of Franz Schubert’s Schwanengesang (Swan Song)\, directed by one of opera’s most adventurous directors\, Claus Guth\, and designed by Michael Levine. Composed in 1828 in Schubert’s final days\, Schwanengesang is a heart-melting collection of songs that portray a man in despair\, delusion\, and at times\, in ecstasy. The production folds in additional Schubert repertory as well as sound compositions by Mathis Nitschke. Named for the ultimate song “Der Doppelgänger\,” this production stages songs with lyrics from poems by Ludwig Rellstab and Heinrich Heine\, works that are the pinnacle of a vocalist’s repertory. The myriad emotions that the cycle runs\, from the jubilant “Liebesbotschaft” to the somber depth of “Der Doppelgänger\,” will display a genre-defying performance by Kaufmann. \n 
URL:https://mathis-nitschke.com/en/event/doppelgaenger-park-avenue-armory/
LOCATION:Park Avenue Armory\, 643 Park Avenue\, New York\, NY 10065\, Vereinigte Staaten
ATTACH;FMTTYPE=image/png:https://mathis-nitschke.com/wp18/wp-content/uploads/2021/07/2023-doppelganger-program-banner-new.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230613
DTSTAMP:20260525T030054
CREATED:20230508T054514Z
LAST-MODIFIED:20230509T201138Z
UID:10184-1684454400-1686614399@mathis-nitschke.com
SUMMARY:1 sqm stopped time. Arkadienfestival 2023
DESCRIPTION:already for the third time the Ebersberger Kunstverein (near Munich) organizes the ARKADIEN-Festival from May 19th! The theme of the third edition “Brave New World” is a reference to Aldous Huxley’s novel of the same name\, which sketches a dystopian future as it becomes more and more reality in the eyes of some. \nI am represented with my commissioned work “1 sqm stopped time”: Closed chambers of 1 sqm footprint stand in the middle of the urban space and invite you to listen. Extremely short sounds are extended to the maximum: the fractions of a second of a gunshot become 10 minutes of music. The surprise of a fist blow turns into a consoling elegy. The moment of an explosion becomes an orchestral state of Wagnerian proportions.
URL:https://mathis-nitschke.com/en/event/1-sqm-stopped-time-arkadienfestival-2023/
LOCATION:Kunstverein Ebersberg\, Im Klosterbauhof 6\, Ebersberg\, 85560
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2023/05/Arkadien-Festivalc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221028T193000
DTEND;TZID=Europe/Berlin:20221028T213000
DTSTAMP:20260525T030054
CREATED:20220908T132305Z
LAST-MODIFIED:20220908T132833Z
UID:9851-1666985400-1666992600@mathis-nitschke.com
SUMMARY:When We Have Sufficiently Tortured Each Other @ Schauspiel Köln
DESCRIPTION:“When We Have Sufficiently Tortured Each Other” by Martin Crimp\, German premier\, Schauspiel Köln \nDIRECTION: THOMAS JONIGK\nSTAGE DESIGN: LISA DÄSSLE\nCOSTUME DESIGN: ESTHER GEREMUS\nCHOREOGRAFY: TERESA ROTEMBERG\nMUSIC / SOUND: MATHIS NITSCHKE\nLIGHT DESIGN: MICHAEL GÖÖCK\nDRAMATURGY: SIBYLLE DUDEK \nA woman and a man. Did he kidnap her? Is he holding her against her will? Or is it a game? And if so\, which of the two will win? The addition of other people – a housekeeper and two girls – does not create a clear situation. On the contrary: there are apparently no certainties here. And the rules of the game are only there to be subverted with relish in the next moment. The British dramatist Martin Crimp has written twelve variations on an encounter in which the boundary between power and powerlessness is constantly shifting. With abysmal wit and keen powers of observation\, he reveals the contradictions in gender relations and shows how centuries-old power structures are imprinted and live on – if only as a parody.
URL:https://mathis-nitschke.com/en/event/when-we-have-sufficiently-tortured-each-other-schauspiel-koeln/
LOCATION:Schauspiel Köln\, Köln\, Germany
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2022/09/gequaelt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220601
DTEND;VALUE=DATE:20251001
DTSTAMP:20260525T030055
CREATED:20220901T071458Z
LAST-MODIFIED:20251015T110756Z
UID:9817-1654041600-1759276799@mathis-nitschke.com
SUMMARY:The Planets - an inter-galactic soundwalk in 3D audio
DESCRIPTION:an inter-galactic soundwalk in 3D audio\n \nExperience the famous orchestral suite “The Planets” by Gustav Holst\, played by the Munich Philharmonic Orchestra\, as an interactive audio walk in a park near you\, increasingly all over the world. All you need is a smartphone and headphones. \nIn seven parts\, the seven planets Mars\, Venus\, Mercury\, Jupiter\, Saturn\, Uranus and Neptune are characterized musically. In our app you can find these planets distributed in the park and visit them. \nImmerse yourself in an intense musical experience of the planets. You can freely move around and explore the immersive sound field of the orchestra. \n\n			\n		\n	\n	\n	\n	\n		1 MARS\, the Bringer of War	\n	\n	\n\n	\n  \n\nGet on a shuttle that will take you through space.\n  \n \nYou navigate the shuttle with your feet\, walking. \nPlay an auditory treasure hunt that takes you from planet to planet via binaural 3D audio. Listen to the direction from which you hear speech and music and find your destination. \nFloat on the music\, through space\, in the park near you. \n  \n\n\nExperience the app in one of 22 Munich parks\, but also elsewhere in the world.\nYou can always find the current status of the localizations on the project page: https://the-planets.app \nIf you are missing a localization near you\, please contact planets@sofilab.art.\n  \n \n \n  \n\n\nTHE PLANETS\nOrchestra suite by\nGustav Holst (1874-1934) \nConcert recording of the\nMunich Philharmonic Orchestra\nFebruary 14-16\, 2020\nPhilharmonie im Gasteig Munich \nMunich Philharmonic Choir\nRehearsal: Andreas Herrmann \nConductor:\nKrzysztof Urbański \nNarrator:\nStefko Hanushevsky \nRecording Director:\nJohannes Müller \nSound Engineer:\nChristiane Voitz \nIdea\, Text\, Music:\nGunter Pretzel \nDramaturgy\, Sound design\, Mix:\nMathis Nitschke \nProgramming:\nMichael Klier \nVisual Programming:\nLuciano Pinna \nGraphics:\nAnja Gerscher \nArtistic Direction:\nMathis Nitschke \nProduction:\nSofilab UG\nMünchner Philharmoniker \ngefördert durch den FFF Bayern
URL:https://mathis-nitschke.com/en/event/the-planets-an-inter-galactic-soundwalk-in-3d-audio/
LOCATION:100 parks world-wide
CATEGORIES:Musiktheater
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2022/06/DiePlaneten_imEnglischenGarten.jpg
ORGANIZER;CN="Sofilab GmbH":MAILTO:info@sofilab.art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211023T200000
DTEND;TZID=Europe/Berlin:20211023T220000
DTSTAMP:20260525T030055
CREATED:20210725T164721Z
LAST-MODIFIED:20211014T141502Z
UID:9463-1635019200-1635026400@mathis-nitschke.com
SUMMARY:Brother Eichmann @ Schauspiel Köln
DESCRIPTION:“Brother Eichmann” by Heinar Kipphardt \nwith JÖRG RATJEN as Adolf Eichmann \nDIRECTION: THOMAS JONIGK\nSTAGE & COSTUME DESIGN: LISA DÄSSLER\nMUSIC/SOUND: MATHIS NITSCHKE\nDRAMATURGY: STAWRULA PANAGIOTAKI \nPREMIERE: 23. Oktober 2021 \nFrom the rehearsals (video by me): \n \n“In 1961\, Adolf Eichmann\, the planner and organizer of the Holocaust\, was sentenced to death by hanging in Jerusalem. In one of the most highly regarded trials of the post-war period\, unbearable details about the National Socialist extermination machinery and its perpetrators come to light for the world public\, because the defendant talks. \nAuthor and dramaturge Heinar Kipphardt – along with Peter Weiss and Rolf Hochhuth one of the main representatives of documentary theater in the 1960s – distills over 3\,500 pages of interrogation and court transcripts into a theatrical text. The play is premiered posthumously in Munich in 1983. “A trial has in common with a play that both begin and end with the perpetrator\, and not with the victim\,” writes Hanna Arendt in her account EICHMANN IN JERUSALEM. Kipphardt’s play brings this perpetrator\, this “brother” (“Bruder Hitler” – Thomas Mann)\, uncomfortably close.
URL:https://mathis-nitschke.com/en/event/bruder-eichmann-schauspiel-koeln/
LOCATION:Schauspiel Köln\, Köln\, Germany
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/gif:https://mathis-nitschke.com/wp18/wp-content/uploads/2021/07/Bruder-Eichmann-am-Schauspiel-Koeln-Teaser-low.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210731T113000
DTEND;TZID=Europe/Berlin:20210731T130000
DTSTAMP:20260525T030055
CREATED:20210725T162817Z
LAST-MODIFIED:20210725T170208Z
UID:9465-1627731000-1627736400@mathis-nitschke.com
SUMMARY:The island of the gods @ Detect Classic Festival
DESCRIPTION:EMCY spielt Real-World Musik \nJunge Musiker*innen an der Schnittstelle zwischen gewonnenen Wettbewerben und professioneller Laufbahn spielen in einem nahbaren Konzert Kompositionen von u.a. Claude Vivier\, Manuela Kerer und Luciano Berio. \nKonzertdesign und künstlerische Leitung: Mathis Nitschke
URL:https://mathis-nitschke.com/en/event/the-island-of-the-gods-detect-classic-festival/
LOCATION:Flugplatz Trollenhagen\, Neubrandenburg\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2021/07/Trollenhagen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20201113T200000
DTEND;TZID=Europe/Berlin:20201113T210000
DTSTAMP:20260525T030055
CREATED:20200929T104426Z
LAST-MODIFIED:20201106T162316Z
UID:9118-1605297600-1605301200@mathis-nitschke.com
SUMMARY:Lure – a music-theatrical exploration of AI (open studio)
DESCRIPTION:In dialogue with a learning machine: an exploration of music\, interactive theatre and live performance through Artificial Intelligence \nDetailed instructions on how to attend the performance will be sent out to you in advance via email. Please register through Eventbrite: https://www.eventbrite.de/e/lure-a-music-theatrical-exploration-of-ai-open-studio-tickets-128258557799 \n  \nA curious and creative character awakens. Developed inside a computer it yearns to learn. You meet it in our performance. It wants to learn about you and starts a conversation. It tries to express itself by playing with a musician. And it leaves that space to explore the world by itself. \nIn our open studio we invite you to a playful session with music\, performance and collective discovery. You’ll be able to interact with our character Parzival\, a machine-learning model created after the mediaeval adventurer. \nWith our prototypes we study three different artistic and technological approaches. Develop empathy with the computational character by discovering how it learns. Experience its inner workings through theatrical expression. And be touched by its musical sensitivity. \nThe artistic research project “Lure” transfers questions on the topics of human–machine interaction and artificial intelligence to the fields of theatre and music. We will open our studio and show our first technical prototypes and artistic steps as work-in-progress\, in a theatrically staged online meeting. \n“Lure” is a project of Munich composer and theatre maker Mathis Nitschke\, Amsterdam interactive artists Luciano Pinna and Klasien van de Zandschulp\, scientists from the Munich Volkswagen Group Machine-Learning Research Lab (argmax.ai) Patrick van der Smagt\, Djalel Benbouzid\, Nutan Chen and Munich dramaturg Elsa Büsing.  \nwith\nMara Widmann: Narrator\nMartina Koppelstetter: Singer\nMatthias Lachenmayer: Drummer\nKatharina Dobner: Mask and fire design \nBesides our custom development tools we use: Google Magenta\, OpenAI GPT-2\, RunwayML\, AIVA\, Botsquad\, Lens Studio \n“Lure” is funded and supported by the Dutch Creative Industries Fund NL\, the German Fonds Darstellende Künste\, and the Volkswagen Group Machine Learning Research Lab. \nThanks to Pathos Theater\, Mario Klingemann\, Memo Akten\, Vladimir Viro\, Arjan Scherpenisse\, Botond Cseke\, Dominik Theobald\, Milo Schagen\, Michael Schwarzfischer\, Tankred Dorst and Wolfram von Eschenbach. \n 
URL:https://mathis-nitschke.com/en/event/lure-open-studio/
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2018/11/Parzival_ai-Tree-Katharina-Dobner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200919
DTEND;VALUE=DATE:20201123
DTSTAMP:20260525T030055
CREATED:20200907T082451Z
LAST-MODIFIED:20200907T085905Z
UID:8986-1600473600-1606089599@mathis-nitschke.com
SUMMARY:Requiem for the Disappeared
DESCRIPTION:A listening installation for those who died alone and unnoticed and for those who will die alone and unnoticed in the future \nby Gesche Piening\, with a composition by Mathis Nitschke (among others) \n  \nSeptember 19 to November 22\, 2020\, St. Lukas\, Mariannenplatz\, Munich \nThe installation can be visited individually and takes place all day in the open air next to the St. Lucas Church (Mariannenplatz\, 80538 Munich).\nAdmission free of charge. \n\nsix open-air listening stations next to the St. Lucas Church in Munich\nsix biographies of lonely and unnoticed deceased Munich residents\nsix requiems for lonely and unnoticed deceased\nsix farewells from unknowns\nonly 1 visitor per listening station\nopen daily all day\nduration approx. 70 min.\n\n  \n \nEvery year\, over 600 people are buried in Munich ex officio. Tendency continuously slightly increasing. A funeral is performed “ex officio” if none of the relatives who are obliged to pay for the funeral are willing to take over the care of the dead. Or if there are no relatives who are obliged to take care of the buried. Or these cannot be located. The audio installation “Requiem for the Disappeared” would like to commemorate these lonely and unnoticed deceased Munich residents. For this purpose\, six biographies were selected on behalf of all those buried ex officio\, for which requiems for the dead were composed. These requiems of the dead are the focus of the audio installation “Requiem für Verschwundene”\, which was originally planned as a theater premiere at HochX. Due to the current corona crisis\, the theater project was transformed into an open-air listening installation. \nTranslated with www.DeepL.com/Translator (free version) \n  \nKonzept und Regie: Gesche Piening\nKonzeptionelle Mitarbeit und Dramaturgie: Katja Huber \nKomposition: Moritz Eggert\, Maria Hafner\, Mathis Nitschke\, Wolfgang Petters\, Manuela Rzytki\, Asmir Šabic\nMusiker*innen: Zoro Babel\, Farandole-Quartett\, Mathias Götz\, Maria Hafner\,\nClaudia Kaiser\, Martin Lickleder\, Mathis Nitschke\, Wolfgang Petters\, Peter Pichler\, Manuela Rzytki\, Asmir Šabić\nSprecher*innen: Maria Hafner\, Andreas Neumann\nInstallation: Jan Ott\nSprachaufnahmen: Manuela Rzytki\nMastering: Zoro Babel\nGraphik und Design: Jeannette Kummer\nProduktion: Ulrich Zentner\nPR & Öffentlichkeitsarbeit: Kathrin Schäfer KulturPR \nGefördert vom Kulturreferat der Landeshauptstadt München.\nIn Zusammenarbeit mit dem Kunstausschuss St. Lukas.\nMit freundlicher Unterstützung durch das HochX Theater und Live ArtA listening installation for those who died alone and unnoticed and for those who will die alone and unnoticed in the future by Gesche Piening\, with a composition by Mathis Nitschke (among others)A listening installation for those who died alone and unnoticed and for those who will die alone and unnoticed in the future by Gesche Piening\, with a composition by Mathis Nitschke (among others)
URL:https://mathis-nitschke.com/en/event/requiem-for-the-disappeared/
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2020/09/requiem-fuer-verstorbene-8287_2000px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200124T193000
DTEND;TZID=Europe/Berlin:20200124T220000
DTSTAMP:20260525T030055
CREATED:20190801T220255Z
LAST-MODIFIED:20190801T220506Z
UID:7890-1579894200-1579903200@mathis-nitschke.com
SUMMARY:Mephisto (premiere)
DESCRIPTION:by Thomas Jonigk after Klaus Mann \nDIRECTOR: Thomas Jonigk\nStage and costumes: Ric Schachtebeck\nMUSIC | TON | VIDEO: Mathis Nitschke\nDRAMATURGY: Thomaspeter Goergen\nLIGHT: Christian Franzen \nThe fascination of the downfall that one even denies seeing eye. The eroticism of evil\, sex appeal of destruction. Babylon Berlin\, the Pompeii between the world wars. Russian gangs\, German fascists* inside\, international careerists* inside\, party people between Moka Efti and Berghain\, conspiracies\, party cries\, the latent excitement: everything can fly around our ears … Klaus Mann outlined in his novel the timeless dancing on the volcano and the Fall of the Sin of the Glamorous. A panorama of his contemporaries*\, artists* and intellectuals\, children of the gods of the Golden Twenties\, who didn’t want to let up on the intoxication when swastikas were already blowing over Babylon. Above all\, however\, the text is a portrait of a famous actor: Gustaf Gründgens. As Henrik Höfgen in the novel\, he is too devoted to life on stage to notice that death has long been sitting on the floor. He plays his biggest role so perfectly that he falls for his mirror image of the theatre: Mephisto. Goethe’s sophisticated devil\, who ends up in real life as the monkey of true hell. He just wants to be loved\, but without responsibility. And at the end he suspects that the hype of the one is paid for with the suffering of many. “I’m only an actor\,” he exclaims\, representing all of us\, us affluent children\, narcissists\, lightly offended and beloved would-be women. Yes\, just an actor. As long as spotlights glow and masks shine. As long as the curtain doesn’t fall. \nTranslated with www.DeepL.com/Translator
URL:https://mathis-nitschke.com/en/event/mephisto-premiere/
LOCATION:Staatstheater Kassel\, Friedrichsplatz 15\, Kassel\, Deutschland
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/08/Mephisto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20191121T200000
DTEND;TZID=Europe/Berlin:20191124T220000
DTSTAMP:20260525T030055
CREATED:20190801T215231Z
LAST-MODIFIED:20191011T075652Z
UID:7883-1574366400-1574632800@mathis-nitschke.com
SUMMARY:Only you know if we made it or not! (World Premiere)
DESCRIPTION:At some point in an unimaginably distant future: the people of tomorrow\, who have saved themselves to the beginning of a new era by the downfall\, float for generations on the sea of plastic waste from past epochs. Where ruins\, mosaics and statues have been left over the millennia\, only mountains of plastic remind us of our glorious century of progress. Right in the middle: them\, the remaining ones. They know: nothing. And in the rubble of yesterday they set out on a search for a Genesis\, for the guidance for a new better world. \nEmre Akal and his team ask for it\, starting from an omnipresent end time mood: What comes after the imaginable future\, after the collapse of liberal democracy and old Europe as we knew it? In a formally abstract world of images\, they let the future rub against the past\, dig the people of tomorrow in the rubble of memory in order to create the design of a society for tomorrow from the ruins of the past – always remembering: What are we leaving behind as society today\, the people of the future\, and will we have learned from our mistakes? What remains of… us? \nWith Jasmina Musić\, Melek Erenay\, Željko Marović\, Çağlar Yiğitoğulları\, Adi Hrustemović\, Erkin Akal\, Mara Widmann | direction and text: Emre Akal | Artistic collaborators*in the direction: Paulina Platzer\, Valentin Walch | Dramaturgie: Guido Huller | Artistic collaborators*in the dramaturgie: Antigone Akgün | Stage design: Xaver Unterholzner | Costume and make-up: Melina Poppe | Visual Artist/ Stage: Kazim (artist duo: Mehmet and Kazim) | Music and Sound: Mathis Nitschke | Lighting Design: Rainer Ludwig | Press Relations: Kathrin Schäfer | Production Management: Rat&Tat Kulturbüro \nTranslated with www.DeepL.com/Translator
URL:https://mathis-nitschke.com/en/event/world-burns-premiere/
LOCATION:HochX\, Entenbachstr. 37\, München\, Deutschland
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/08/NurIhrWisst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191017
DTEND;VALUE=DATE:20200301
DTSTAMP:20260525T030055
CREATED:20190801T214114Z
LAST-MODIFIED:20191021T150327Z
UID:7875-1571270400-1583020799@mathis-nitschke.com
SUMMARY:RE:ECM @ Storage\, Seoul
DESCRIPTION:In this group exhibition at Storage by Hyundai Card in Seoul\, six artists reflect on the meanwhile 50-year-old oeuvre of the record label ECM Records. Instead of – as the poster suggests – presenting relics and devotional objects from the history of ECM\, we try to pour the meaning and effects that ECM has had and still has on our work and life into our own artistic positions. \nIn my sound installation “Small Places” the listening human becomes the object of art. Almost incidentally\, it plays the complete catalogue of ECM (we talk about more than 8 weeks of continuously playing music). How this looks and works\, and how you can participate in it from a distance\, I will explain in my next post after the opening on 17 October. \nIn a second work in collaboration with digital artist Lars Ullrich\, we analyze the horizontal movement within the music\, the “flow“\, and transform it into suggestive digital animations that draw the visitors fully into the music. Also here visual material after the opening. \nCome and see us! From 17 October at the Storage by Hyundai Card in Seoul\, South Korea.
URL:https://mathis-nitschke.com/en/event/reecm-storage-seoul/
LOCATION:Storage by Hyundai Card in Seoul\, 248\, Itaewon-ro\, Yongsan-gu\, Seoul (B2F)\, Südkorea
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/08/ECM_Storage_Poster_A2티켓안내x.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20190921T200000
DTEND;TZID=Europe/Berlin:20190921T220000
DTSTAMP:20260525T030055
CREATED:20190801T213148Z
LAST-MODIFIED:20190801T213357Z
UID:7866-1569096000-1569103200@mathis-nitschke.com
SUMMARY:Against the hate (Premiere)
DESCRIPTION:by Carolin Emcke\nin a stage version by Thomas Jonigk\nSchauspiel KölnPremiere: 21. September 2019 \nRegie: Thomas Jonigk\nBühne: Lisa Däßler\nKostüme: Esther Geremus\nMusik/Sound: Mathis Nitschke
URL:https://mathis-nitschke.com/en/event/against-the-hate-premiere/
LOCATION:Schauspiel Köln\, Köln\, Germany
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/08/GegenDenHass_klein.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190708
DTEND;VALUE=DATE:20190713
DTSTAMP:20260525T030055
CREATED:20190603T181048Z
LAST-MODIFIED:20190607T063145Z
UID:7638-1562544000-1562975999@mathis-nitschke.com
SUMMARY:Isolde
DESCRIPTION:ISOLDE\nOpera installation by Mathis Nitschke \nThomas Jonigk (Libretto)\, Martina Koppelstetter (Isolde)\, Klaus-Peter Werani (Viola)\, Katharina Dobner (Costume) \n8 to 12 July 2019\, daily 6 p.m. and 7 p.m.\, entrance of the Kunsthalle München\, Theatinerstraße 8 \nAdmission free as long as space available (maximum 50 spectators) \n30 seat reservations per performance for 10 EUR (6 EUR reduced) are available here >>> \nNo admission after start. Accessible to all. \nTuesday\, 9 July 2019\, 8 pm: Mathis Nitschke\, Martina Koppelstetter and Klaus-Peter Werani in conversation with Elsa Büsing \nThe pedestrian zone in front of the Kunsthalle Munich: There\, a homeless person appears in the midst of lustfully shopping\, well dressed people. In the hopelessness of her existence\, she transfigures everything ordinary into art. Sounds from her memory fit into an orchestration of the urban sound space. Everything she hears becomes a global song in which\, like Wagner’s Isolde\, she finds redemption through death and resurrection in love. \nIn the context of FREQUENZEN – Acoustic Dimensions of the City: www.muenchen.de/frequenzen \n[wp-eventbrite-checkout] \n  \nWith the kind support of: \n \n \n \nFlyer Foto: Mathis Nitschke\, Graphics design: Anja Gerscher
URL:https://mathis-nitschke.com/en/event/isolde/
LOCATION:Kunsthalle München\, Theatinerstraße 8\, München\, Bayern\, 80333\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/06/190606_Isolde_RZ_02_engl_pfade_2000px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190530
DTEND;VALUE=DATE:20190601
DTSTAMP:20260525T030055
CREATED:20190521T093848Z
LAST-MODIFIED:20190521T093848Z
UID:7548-1559174400-1559347199@mathis-nitschke.com
SUMMARY:Keynote at the Opera Beyond Conference
DESCRIPTION:Meet me at the Opera Beyond Conference by the Finnish National Opera in Helsinki: \nInfo: https://operabeyond.com/
URL:https://mathis-nitschke.com/en/event/keynote-at-the-opera-beyond-conference/
ATTACH;FMTTYPE=image/png:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/05/OperaBeyond.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190518
DTEND;VALUE=DATE:20190520
DTSTAMP:20260525T030055
CREATED:20180907T082908Z
LAST-MODIFIED:20190313T194015Z
UID:7239-1558137600-1558310399@mathis-nitschke.com
SUMMARY:VIOLA @ Operadagen Rotterdam
DESCRIPTION:Performance Invitation of VIOLA at the Operadagen Rotterdam \nhttps://www.operadagenrotterdam.nl/programma/ \nhttps://mathis-nitschke.com/viola/
URL:https://mathis-nitschke.com/en/event/viola-operadagen-rotterdam/
LOCATION:Bijenkorf Rotterdam
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2018/09/VIOLA_20150508_159.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20190517T140000
DTEND;TZID=Europe/Berlin:20190517T150000
DTSTAMP:20260525T030055
CREATED:20190313T191627Z
LAST-MODIFIED:20190501T200715Z
UID:7392-1558101600-1558105200@mathis-nitschke.com
SUMMARY:“MAYA” @ Classical:NEXT 2019 in Rotterdam
DESCRIPTION:“MAYA” was selected for the Project Pitch Presentations at the Classical:NEXT 2019 in Rotterdam\, 16.5.2019 \nInfo: https://www.classicalnext.com/programme/project_pitches
URL:https://mathis-nitschke.com/en/event/maya-classicalnext-2019-in-rotterdam/
LOCATION:De Doelen Rotterdam\, Rotterdam\, Niederlande
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/03/ClassicalNEXT_selection_with-year_19_Logo-01-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190412
DTEND;VALUE=DATE:20190413
DTSTAMP:20260525T030055
CREATED:20190404T032117Z
LAST-MODIFIED:20190404T032855Z
UID:7425-1555027200-1555113599@mathis-nitschke.com
SUMMARY:Karajan Music Tech conference
DESCRIPTION:Invitation as speaker to the Karajan Music Tech Conference in Salzburg\, together with Annette Josef\, managing director of the Munich Symphony Orchestra. We will talk about my project Parzival.ai\, which I am currently developing and trying to finance. \nParzival.ai is a music-theatrical encounter with a learning machine. Check it out at http://parzival.ai. \n  \nhttps://www.karajanmusictech.com \n 
URL:https://mathis-nitschke.com/en/event/karajan-music-tech-conference/
LOCATION:Universität Mozarteum Salzburg\, Mirabellplatz 1\, 5020 Salzburg\, Österreich
ATTACH;FMTTYPE=image/png:https://mathis-nitschke.com/wp18/wp-content/uploads/2019/04/KarajanMusicTech.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190407T180000
DTEND;TZID=Europe/Paris:20190407T200000
DTSTAMP:20260525T030055
CREATED:20180706T145523Z
LAST-MODIFIED:20190303T194336Z
UID:7373-1554660000-1554667200@mathis-nitschke.com
SUMMARY:ROMEO & JULIET\,  или Милосердная земля
DESCRIPTION:Once again „Romeo&Julia“. Same same but different. Staging by Luk Perceval at the Bolshoi Drama Theatre St. Petersburg.
URL:https://mathis-nitschke.com/en/event/romeo-juliet-%d0%b8%d0%bb%d0%b8-%d0%bc%d0%b8%d0%bb%d0%be%d1%81%d0%b5%d1%80%d0%b4%d0%bd%d0%b0%d1%8f-%d0%b7%d0%b5%d0%bc%d0%bb%d1%8f/
LOCATION:Bolshoi Drama Theatre\, St. Petersburg\, Russian Federation
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2018/09/2018-09-27-23.53.50-e1538084641742.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190324T190000
DTEND;TZID=Europe/Paris:20190324T210000
DTSTAMP:20260525T030055
CREATED:20180706T145523Z
LAST-MODIFIED:20190130T165912Z
UID:7340-1553454000-1553461200@mathis-nitschke.com
SUMMARY:ROMEO & JULIET\,  или Милосердная земля
DESCRIPTION:Noch einmal „Romeo&Julia“. Wieder das gleiche\, aber anders. Inszenierung von Luk Perceval am Bolshoi Drama Theater St. Petersburg.
URL:https://mathis-nitschke.com/en/event/romeojuliet-or-the-merciful-land-5-2-2-2/
LOCATION:Bolshoi Drama Theatre\, St. Petersburg\, Russian Federation
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2018/09/2018-09-27-23.53.50-e1538084641742.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190118T200000
DTEND;TZID=Europe/Paris:20190118T220000
DTSTAMP:20260525T030055
CREATED:20180706T145756Z
LAST-MODIFIED:20180706T145756Z
UID:7253-1547841600-1547848800@mathis-nitschke.com
SUMMARY:Rückkehr nach Reims @ Schauspiel Köln
DESCRIPTION:RÜCKKEHR NACH REIMS\nnach Didier Eribon\nIn einer Bühnenfassung von Thomas Jonigk \nPremiere/Uraufführung 18.1.2019\, Depot 2\, Schauspiel Köln \n»Das\, wovon man losgerissen wurde oder sich losreißen wollte\, bleibt ein Bauteil dessen\, was man ist.«Die Erzählung beginnt mit einem Ende: Der Tod des Vater führt Didier Eribon zurück in seine alte Heimat\, in der er seit dreißig Jahren nicht mehr war. Er besucht seine Mutter\, schaut sich mit ihr alte Bilder an und arbeitet die Familiengeschichte auf; eine Geschichte von Besatzung\, Krieg\, Zerstörung\, Arbeiterbewegung und Entfremdung – eine Geschichte Frankreichs.\nIn Eribons hybrider Erzählung verwischen die Gattungsgrenzen\, mal ist sie soziologische Studie\, mal emotional-biografische Erzählung eines im homophoben Umfeld aufwachsenden Jungen und mal ist sie reine Poesie. \nBESETZUNG \nCampbell Caspary\nAntonia Bockelmann\nBarbara Krebs\nNicolas Lehni\nJustus Maier\nSabine Orléans\nJörg Ratjen\nNicki von Tempelhoff \nRegie: Thomas Jonigk\nBühne: Lisa Dässler\nKostüme: Esther Geremus\nMusik: Mathis Nitschke\nChoreografie: Theresa Rotemberg\nLicht: Jan Steinfatt\nDramaturgie: Sarah Lorenz
URL:https://mathis-nitschke.com/en/event/rueckkehr-nach-reims-schauspiel-koeln/
LOCATION:Schauspiel Köln\, Köln\, Germany
CATEGORIES:Schauspiel
ATTACH;FMTTYPE=image/jpeg:https://mathis-nitschke.com/wp18/wp-content/uploads/2018/07/Reims.jpg
END:VEVENT
END:VCALENDAR