{"id":5106,"date":"2018-09-13T22:09:30","date_gmt":"2018-09-13T20:09:30","guid":{"rendered":"http:\/\/wp18.mathis-nitschke.com\/?page_id=5106"},"modified":"2025-04-09T06:37:48","modified_gmt":"2025-04-09T04:37:48","slug":"about","status":"publish","type":"page","link":"https:\/\/mathis-nitschke.com\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"<h4>IN SHORT<\/h4>\n<p class=\"\" data-start=\"81\" data-end=\"643\">Mathis Nitschke is a composer, sound designer, and music theatre maker. His work operates at the intersection of music, technology, and space. After studying classical guitar, fine arts, and composition (including at the Royal Conservatory in The Hague), he developed his own projects and commissioned works that often explore new formats. These include the operas <a href=\"https:\/\/mathis-nitschke.com\/en\/jetzt\/\"><em data-start=\"450\" data-end=\"457\">JETZT<\/em> <\/a>(2012) and <a href=\"https:\/\/mathis-nitschke.com\/en\/happy-happy\/\"><em data-start=\"469\" data-end=\"482\">HAPPY HAPPY<\/em> <\/a>(2014) for the National Opera of Montpellier, the urban short opera <a href=\"https:\/\/mathis-nitschke.com\/en\/viola\/\"><em data-start=\"551\" data-end=\"558\">Viola<\/em> <\/a>(2015), and <a href=\"https:\/\/mathis-nitschke.com\/en\/maya\/\"><em data-start=\"571\" data-end=\"577\">MAYA<\/em> <\/a>(2017), the world\u2019s first mixed-reality music theatre production.<\/p>\n<p class=\"\" data-start=\"645\" data-end=\"961\">As a composer for film and theatre, he collaborates with artists such as Michel Houellebecq, Luk Perceval, Thomas Jonigk, and Claus Guth. His music has been heard at venues like the Munich Kammerspiele, Schauspiel K\u00f6ln, the Armory Hall in New York, and at international festivals such as Aix-en-Provence and Locarno.<\/p>\n<p class=\"\" data-start=\"963\" data-end=\"1057\">In 2015, he founded <a href=\"https:\/\/sofilab.art\" target=\"_blank\" rel=\"noopener\">Sofilab<\/a> \u2013 a studio for sonic design and artistic research based in Munich.<\/p>\n<p><iframe loading=\"lazy\" title=\"On MAYA - Artist Talk @ Opera Beyond 2019 by Mathis Nitschke\" src=\"https:\/\/player.vimeo.com\/video\/387514852?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>EDUCATION AND ARTISTIC RESEARCH<\/h4>\n<p>After he started out playing the guitar and performing the sound mixing desk, Mathis Nitschke studied visual arts before he finally made his degree in music composition at the <a href=\"http:\/\/www.koncon.nl\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Royal Conservatoire Den Haag<\/a>\u00a0with Gilius van Bergeijk, Richard Ayres and Clarence Barlow.<\/p>\n<p>Lectures and seminars with, among others, Heiner Goebbels, DJ Spooky, Jean-Luc Nancy, Michel Houellebecq, Mike Figgis, Peter Greenaway and The Brothers Quay during his post-graduate study at the <a href=\"http:\/\/egs.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">European Graduate School (EGS)<\/a>, Saas-Fee, flanked his education.<\/p>\n<p>Between 2010 and 2017, the nature of opera was Nitschke&#8217;s main subject of research, initiated by the commission to compose &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/jetzt\/\">JETZT<\/a>&#8221; for the Montpellier National Opera. Great scepticism towards classical singing and the institution of opera led to an extremely fruitful period of research and creation, which culminated in the mixed-reality opera &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/maya\/\">MAYA<\/a>&#8221; in 2017.<\/p>\n<p>The soundwalk opera &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/vergehen\/\">Vergehen<\/a>&#8221; (2016) opened the door to interactive digital art, which has been another focus of his artistic research ever since. Questions about the artistically optimal human\/machine communication and the balancing of the highest sonic demands with the possibilities of common smartphones led to the development of innovative interaction methods that allow a new and at the same time profound musical experience. An outstanding example of this is the interactive 3D audio soundwalk &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/the-planets-app\/\">The Planets<\/a>&#8220;, a co-operation with the Munich Philharmonic.<\/p>\n<p>&nbsp;<\/p>\n<h4>MUSIC THEATRE<\/h4>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/viola\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5063 size-medium\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/VIOLA_20150508_159-360x239.jpg\" alt=\"\" width=\"360\" height=\"239\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/VIOLA_20150508_159-360x239.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/VIOLA_20150508_159-680x452.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/VIOLA_20150508_159-1024x680.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/VIOLA_20150508_159-1140x757.jpg 1140w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a>In Mathis Nitschkes works as a theatre maker the spectator not only watches, he is also being watched and takes part in the theatrical situation. In the music theatre trilogy in public space <a href=\"https:\/\/mathis-nitschke.com\/en\/viola\/\">VIOLA<\/a> \/ <a href=\"https:\/\/mathis-nitschke.com\/en\/katharina\/\">KATHARINA<\/a> \/ <a href=\"https:\/\/mathis-nitschke.com\/en\/isolde\/\">ISOLDE<\/a> (2015\/16\/19) the audience sits in shop windows and looks on the happenings on the square in front of it. At the same time the audience members themselves are exposed in the shop window and pedestrians look at them.<\/p>\n<p>Integrating smartphones and headphones as an integral part of todays public life, Nitschke created an interactive audio tour for promenaders at the Munich river Isar: <a href=\"https:\/\/mathis-nitschke.com\/en\/vergehen\/\">VERGEHEN<\/a> (&#8220;Passing&#8221;, 2017), an opera which one has to walk. It lets the real world interact sonically with the virtual world. In the &#8220;Deutsche B\u00fchne&#8221; yearbook of 2017, VERGEHEN was nominated in the best stage\/space\/costume categorie.<\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/maya\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5043 size-medium\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-360x240.jpg\" alt=\"\" width=\"360\" height=\"240\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1024x683.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1140x760.jpg 1140w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a>In October 2017, <a href=\"https:\/\/mathis-nitschke.com\/en\/maya\/\" target=\"_blank\" rel=\"noopener noreferrer\">MAYA<\/a>\u00a0had its premiere: a Mixed-Reality-Techno-Opera in which central questions of post-humanity have been discussed. In the ruins of the heating plant Aubing Nitschke created a virtual cosmos\u00a0parallel to the real world, on the basis of sound, music, augmented reality technology and digital art, in which the audience could move freely.<\/p>\n<p>It all began with the operas JETZT and <a href=\"https:\/\/mathis-nitschke.com\/en\/happy-happy\/\">HAPPY HAPPY<\/a> (2012 and 2014), commissioned by the Montpellier National Opera, which resulted from his long-standing friendship and collaboration with lighting designer and director Urs Sch\u00f6nebaum.\u00a0JETZT earned a nomination for \u2018premier of the year\u2019 in the Opernwelt yearbook 2013.<\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10516 alignleft\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small-360x240.jpg\" alt=\"\" width=\"360\" height=\"240\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small-1024x683.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small-1536x1024.jpg 1536w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2023\/09\/doppelgaenger_167_small.jpg 2028w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a>His involvement as a sound designer and composer in the team of director Claus Guth opens a new chapter, in which he tries to bring his experience from independent experimental music theatre creation into the world of established opera high culture. Following the success of the world premiere of &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/doppelganger\/\">Doppelganger<\/a>&#8221; at the Armory Hall in New York in September 2023, another collaboration will follow in July 2024 for the opening of the Festival d&#8217;Aix-en-Provence.<\/p>\n<p>His music is often a result of combined improvisational practise. He maintains special working relationships with singers <a href=\"http:\/\/koppelstetter.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Martina Koppelstetter<\/a>, <a href=\"http:\/\/www.sarah-aristidou.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sarah Aristidou<\/a> and <a href=\"http:\/\/www.karenvourch.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Karen Vourc&#8217;h<\/a> and musicians <a href=\"http:\/\/www.santiagocimadevilla.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Santiago Cimadevilla<\/a>, <a href=\"http:\/\/www.anjalechner.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Anja Lechner<\/a>, <a href=\"http:\/\/www.goskaisphording.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Goska Isphording<\/a>,\u00a0Mathis Mayr, <a href=\"http:\/\/www.astropi.com\/brice-soniano\/\" target=\"_blank\" rel=\"noopener noreferrer\">Brice Soniano<\/a>\u00a0and <a href=\"https:\/\/triocoriolis.com\/biografien\/\" target=\"_blank\" rel=\"noopener noreferrer\">Klaus-Peter Werani<\/a>, among others.<\/p>\n<p>&nbsp;<\/p>\n<h4>FILM, DRAMA AND GAMES<\/h4>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/the-possibility-of-an-island\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5064 size-medium\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/POSSIBILITY-OF-AN-ISLAND-Poster-e1389133283736-319x300.jpg\" alt=\"\" width=\"319\" height=\"300\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/POSSIBILITY-OF-AN-ISLAND-Poster-e1389133283736-319x300.jpg 319w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/POSSIBILITY-OF-AN-ISLAND-Poster-e1389133283736-680x639.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/POSSIBILITY-OF-AN-ISLAND-Poster-e1389133283736.jpg 706w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><\/a>In 2008, Mathis collaborated with the French author Michel Houellebecq for his movie adaptation <a href=\"https:\/\/mathis-nitschke.com\/en\/the-possibility-of-an-island\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8216;The Possibility of an Island&#8217;<\/a>. In 2017, Nitschke composed and produced the music for Martin Farkas&#8217; documentary film &#8220;Demmin&#8221;, and in 2019 for Christoph Boekel&#8217;s documentary film &#8220;The maelstrom of war &#8211; a family history&#8221;.<\/p>\n<p>He regularly works in the most important german-speaking theatres like, among others,\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/little-man-what-now\/\">M\u00fcnchner Kammerspiele<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/three-sisters\/\">Thalia Theater Hamburg<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/continue-dreaming\/\">Schauspielhaus Z\u00fcrich<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/rosa-or-the-merciful-earth\/\" rel=\"noopener\">Burg-\/Akademietheater Vienna<\/a> or <a href=\"https:\/\/mathis-nitschke.com\/en\/the-clown\/\">Schauspiel K\u00f6ln<\/a> with directors like <a href=\"https:\/\/mathis-nitschke.com\/en\/little-man-what-now\/\">Luk Perceval<\/a>,\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/thetrial\/\">Andreas Kriegenburg<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/continue-dreaming\/\">Christof Loy<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/the-clown\/\">Thomas Jonigk<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/henceforward\/\">Ulrike Arnold<\/a>, Karin Henkel,\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/three-sisters\/\">Christiane Pohle<\/a>\u00a0and others. Nitschke\u00a0has a special interest in working with authors, notably <a href=\"https:\/\/de.wikipedia.org\/wiki\/Jonas_L%C3%BCscher\" target=\"_blank\" rel=\"noopener noreferrer\">Jonas L\u00fcscher<\/a>, <a href=\"http:\/\/thomasjonigk.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Thomas Jonigk<\/a>, Michel Houellebecq and <a href=\"http:\/\/draesner.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ulrike Draesner<\/a>.<\/p>\n<p>He also enjoys creating sound and music for games. His collaboration with <a href=\"https:\/\/k5factory.com\/\" target=\"_blank\" rel=\"noopener\">K5 Factory<\/a> has resulted in VR games such as &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/labyrinth-delux-a-chrusoe-quest-vr-game\/\">Labyrinth DeLux<\/a>&#8220;, &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/experimenta-unite-in-taste-mobile-game\/\">Unite in Taste<\/a>&#8221; and &#8220;<a href=\"https:\/\/mathis-nitschke.com\/en\/anon-the-game-escape-the-murder\/\">Anon<\/a>&#8220;.<\/p>\n<p>&nbsp;<\/p>\n<h4>SOFILAB<\/h4>\n<p><a href=\"https:\/\/sofilab.art\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7480 size-medium\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2019\/05\/sofilab_yellow_big_3_passend-360x125.png\" alt=\"\" width=\"360\" height=\"125\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2019\/05\/sofilab_yellow_big_3_passend-360x125.png 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2019\/05\/sofilab_yellow_big_3_passend-680x236.png 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2019\/05\/sofilab_yellow_big_3_passend-1024x356.png 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2019\/05\/sofilab_yellow_big_3_passend-1140x396.png 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2019\/05\/sofilab_yellow_big_3_passend.png 1324w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a>In 2015, Mathis Nitschke founded <a href=\"https:\/\/sofilab.art\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sofilab<\/a>, a Munich-based sonic design studio and innovation lab working at the crossroads of art, industry and technology. Sofilab initiates projects and starts research on the topics of digital music practice, media and sound art, interactive communication, industrial sound design and audio-guided appliances.<\/p>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4>AND BEYOND THAT<\/h4>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/category\/sound-mixing\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5065 size-medium\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MuViva_20140206_05-360x239.jpg\" alt=\"\" width=\"360\" height=\"239\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MuViva_20140206_05-360x239.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MuViva_20140206_05-680x452.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MuViva_20140206_05-1024x680.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MuViva_20140206_05-1140x757.jpg 1140w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a>As a live <a href=\"https:\/\/mathis-nitschke.com\/en\/category\/sound-mixing\/\">sound designer<\/a>, Nitschke performs the mixing desk not only in theatres but also at contemporary music performances in concert halls, such as the <a href=\"https:\/\/mathis-nitschke.com\/en\/musica-viva\/\" target=\"_blank\" rel=\"noopener noreferrer\">Musica Viva<\/a> series of the Bavarian Radio Symphony orchestra. On occasion, in Solo and Ensemble projects, he performs as an <a href=\"https:\/\/mathis-nitschke.com\/en\/improvisation-with-biel\/\" target=\"_blank\" rel=\"noopener noreferrer\">improvising sound artist<\/a>. He is a permanent member of the ensemble for contemporary music <a href=\"https:\/\/www.dergelbeklang.de\/\" target=\"_blank\" rel=\"noopener\">der\/gelbe\/klang<\/a>.<\/p>\n<p>Drawing from early experience gained in commercial advertising production (Hastings Audio, Giesing Team) and a succesful career in <a href=\"http:\/\/www.imdb.com\/name\/nm1020833\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener noreferrer\">film post production<\/a> (Resident Evil, Luther) Nitschke also offers his services to <a href=\"https:\/\/mathis-nitschke.com\/en\/category\/communication\/\">corporations <\/a>and live-communication agencies, resulting in image films (e.g. for <a title=\"BMW Sustainability\" href=\"https:\/\/mathis-nitschke.com\/en\/bmw-image-film\/\">BMW<\/a>), Sound-ID&#8217;s (e.g. Airbus Group) or concert inserts and musical highlights (e.g. <a title=\"Linde Management Conference 2012\" href=\"https:\/\/mathis-nitschke.com\/en\/linde-2012-en\/\">Linde Management conference<\/a>, <a href=\"https:\/\/mathis-nitschke.com\/en\/bmw-excellence-in-sales-2017\/\">BMW Excellence in Sales<\/a>).<\/p>\n<p>He teaches and holds seminars and workshops at various German and Austrian conservatories (e.g. Musikkhochschule Trossingen, HdpK Berlin, Fachhochschule St. P\u00f6lten).<\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/the-story-of-capstan-and-how-it-relates-to-the-new-wowflutter-repair-plugin-in-izotope-rx8\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5074 size-medium\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/Capstan-360x176.jpg\" alt=\"\" width=\"360\" height=\"176\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/Capstan-360x176.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/Capstan-680x332.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/Capstan-1024x499.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/Capstan.jpg 1099w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a>For\u00a0 <a href=\"http:\/\/www.celemony.com\" target=\"_blank\" rel=\"noopener noreferrer\">Celemony Software GmbH<\/a>\u00a0he works as the product manager for <a href=\"http:\/\/www.celemony.com\/en\/capstan\" target=\"_blank\" rel=\"noopener noreferrer\">Capstan<\/a>, a software for sound restoration which is able to correct wow and flutter purely digitally. He also counsels the company in their new product developments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IN SHORT Mathis Nitschke is a composer, sound designer, and music theatre maker. His work operates at the intersection of music, technology, and space. After studying classical guitar, fine arts,&#8230;<\/p>\n<div><a class=\"read-more button-link\" href=\"https:\/\/mathis-nitschke.com\/en\/about\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":8513,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-5106","page","type-page","status-publish","has-post-thumbnail","hentry","clearfix",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>About - Mathis Nitschke<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mathis-nitschke.com\/en\/about\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About - Mathis Nitschke\" \/>\n<meta property=\"og:description\" content=\"IN SHORT Mathis Nitschke is a composer, sound designer, and music theatre maker. 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