{"id":3776,"date":"2017-10-18T20:43:08","date_gmt":"2017-10-18T18:43:08","guid":{"rendered":"http:\/\/mathis-nitschke.com\/wp\/maya\/"},"modified":"2024-05-06T13:30:30","modified_gmt":"2024-05-06T11:30:30","slug":"maya","status":"publish","type":"post","link":"https:\/\/mathis-nitschke.com\/en\/maya\/","title":{"rendered":"MAYA &#8211; Mixed-Reality-Techno-Opera"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/263934654?h=9c01b1a4bb&#038;color=ffffff&#038;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>As the worlds first Augmented Reality opera, MAYA staged the former heating plant Munich-Aubing as a historic site.<\/p>\n<p>Through the AR-app on the own smartphone, the spectator betook himself in the perspective of a new civilization in the distant future, and looked back in amazement on the demise of our current civilization in the near future.<\/p>\n<p>Singer Martina Koppelstetter took on the role of \u201eMaya\u201c. She was on a mission. Would she manage to rescue the Cyberspace and with it herself and the humanity?<\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-daze_wrapper_width wp-image-5040\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b-1140x684.jpg\" alt=\"\" width=\"1140\" height=\"684\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b-1140x684.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b-360x216.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b-680x408.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b-1024x614.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/AubingRuineMaya_002_ag_2000x1200b.jpg 2000w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><\/a><\/p>\n<h2>About the MAYA App<\/h2>\n<p><iframe loading=\"lazy\" title=\"MAYA - the app for the Mixed-Reality-Techno-Opera\" src=\"https:\/\/player.vimeo.com\/video\/275712141?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h2>Full Documentary<\/h2>\n<p><iframe loading=\"lazy\" title=\"MAYA - Dokumentation von Felix Hentschel\" src=\"https:\/\/player.vimeo.com\/video\/264919729?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe><\/p>\n<h2>Background and creation<\/h2>\n<p>MAYA told the story of the last survivors of a doomed civilization. A post-utopia that was experienced by the public as a walk-in installation. It played in the last industrial ruin of Munich, the former combined heat and power plant Aubing, a listed building that also tells of failed and incomplete visions. It was built in 1937 by the Nazis on a bavarian cemetery and was to become part of a larger industrial complex for the &#8220;capital of the movement&#8221;. But that never happened. From 1952 onwards, the building was converted by Deutsche Bahn into a combined heat and power plant, but was never really used sustainably. In the 1990s, the alternative cultural scene discovered a vacancy for itself. DJs hosted legendary techno raves there. The building is currently owned by Allguth GmbH.<\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-daze_wrapper_width wp-image-5037\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px-1140x755.jpg\" alt=\"\" width=\"1140\" height=\"755\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px-1140x755.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px-360x239.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px-680x451.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px-1024x678.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MayaTrioCoriolis_025-2000px.jpg 2000w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><\/a><\/p>\n<p>Before the ruin might be transformed into a new art and cultural centre in the near future, Mathis Nitschke wanted to perform in this special place with a specially conceived piece of music theatre. The breathtaking architecture of the empty building, whose interior with its three preserved stoves reminds of a cathedral, immediately fascinated him. The idea of &#8220;doing something in it&#8221; was born.<\/p>\n<div class=\"gallery-slider\"><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MAYA by Mathis Nitschke\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_04-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_04-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_04-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_04-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_04-680x454.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_04-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MAYA - the App\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-680x454.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_05\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_07\" \/><span class=\"caption\"><\/span><\/div><\/div>\n<h2>Form<\/h2>\n<p>MAYA transcended the core of an opera into the present: intoxication, ecstasy and extension of consciousness through music, sound, light and digital art. Opera and Techno: both stand for a powerful rebellion \u2013 against death, against loneliness. For a life without limits. For the promise of a world in which we live according to our boldest imaginations, without ever encountering physical limitations.<\/p>\n<p>MAYA was a game of opposites. The future stood next to the past. Materiality encountered immateriality. New compositions met pieces from Domenico Gabrielli (16th century), Steve Reich (1967) and KP Werani (2017). The string trio TrioCoriolis played live with, against and in the electronic soundscapes of Klavikon, J\u00f6rg H\u00fcttner, Bj\u00f6rn Eichelbaum and Rumpeln. The lighting design by Urs Sch\u00f6nebaum fitted like a sculpture into the room.<\/p>\n<p>&#8220;Being a peanut would be great. Or a tapeworm. Or a ramshorn snail.&#8221;<\/p>\n<p>Author Thomas Jonigk put the language of a human being into the mouth of Maya, who was forced to rediscover her physicality in order to survive as a digital being.<\/p>\n<p>More about the <a href=\"https:\/\/mathis-nitschke.com\/en\/what-will-maya-actually-sound-like\/\">music: &gt;&gt;&gt;<\/a><\/p>\n<div class=\"gallery-slider\"><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_09-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_09-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_09-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_09-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_09-680x454.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_09-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_09\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_10-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_10-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_10-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_10-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_10-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_10-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_10\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_11-1-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_11-1-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_11-1-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_11-1-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_11-1-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_11-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_11\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_12-1-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_12-1-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_12-1-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_12-1-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_12-1-680x454.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_12-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_12\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_13-1-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_13-1-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_13-1-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_13-1-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_13-1-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_13-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"MathisNitschke_MAYA_13\" \/><span class=\"caption\"><\/span><\/div><\/div>\n<h2>Result<\/h2>\n<p>A rich cosmos of impressions was offered, a world that the viewer could acquire through his own efforts. This wealth, which can only be explained with words and pictures in a complicated and insufficient way, was experienced locally as &#8220;great freedom&#8221;, as one of the 1,500 visitors (over five performances) called it.<\/p>\n<p>All means and narrative strands were developed out of the specific location of the ruins, nothing was obviously invented on top. No props, no grandstand, no stage: a &#8220;minimally invasive&#8221; approach that made the room the main actor.<\/p>\n<p>Each scene replayed the room, Maya appeared again and again somewhere else, the audience followed her in ever new configurations. Introduced by the AR app, viewers stayed in a mode of discovery, not consumption, from beginning to end.<\/p>\n<h2>Full Performance Video<\/h2>\n<p><iframe loading=\"lazy\" title=\"MAYA \u2013 MIXED-REALITY-TECHNO-OPERA - Full Performance\" src=\"https:\/\/player.vimeo.com\/video\/261121566?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe><\/p>\n<h2>Audience Reactions<\/h2>\n<p>\u201cThe audience\u2019s involvement in the show through the app was great, especially towards the end where Maya was to be illuminated. The fact that it worked so well shows how well it did.\u201d<\/p>\n<p>\u201cThrough the building, the actors and performers I really felt like in another world. Although the windows were open, the connection to the outside world was gone for me. That felt exciting, particularly in connection with the topic itself. Together with the other visitors, it also became a special place that only we experienced in the same way.\u201d<\/p>\n<p>\u201cI\u2019ve never seen anything like Maya before! The mixture of modern technology, a location with an incredible atmosphere and a live concert was simply breathtaking! More of it!\u201d<\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/20171017-L9993410-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-daze_wrapper_width wp-image-5036\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/20171017-L9993410-1-1140x760.jpg\" alt=\"\" width=\"1140\" height=\"760\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/20171017-L9993410-1-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/20171017-L9993410-1-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/20171017-L9993410-1-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/20171017-L9993410-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><\/a><\/p>\n<h2>Press reactions<\/h2>\n<p>(selection, click for links)<\/p>\n<p><a href=\"http:\/\/www.sueddeutsche.de\/muenchen\/musik-im-aubinger-heizkraftwerk-trifft-oper-auf-digitalisierung-1.3710929\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-4956 alignnone\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.42-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.42-1024x768.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.42-360x270.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.42-680x510.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.42-1140x855.jpg 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.sueddeutsche.de\/kultur\/oper-der-beginn-der-zukunft-1.3717695\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-4955 alignnone\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.09-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.09-1024x768.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.09-360x270.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.09-680x510.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-04-24-15.13.09-1140x855.jpg 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/DP1802_98-103_MayaOper_LoRes.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4954\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-02-25-17.08.58-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-02-25-17.08.58-1024x768.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-02-25-17.08.58-360x270.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-02-25-17.08.58-680x510.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/2018-02-25-17.08.58-1140x855.jpg 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<h2>MAYA<\/h2>\n<p>a Mixed-Reality-Techno-Opera\u00a0in the ruins of the heating plant Munich-Aubing<br \/>\n18th \u2013 22th October, 2017<\/p>\n<p>MAYA:\u00a0Martina Koppelstetter<br \/>\nVOICES:\u00a0Michelle Friedrich, Miriam Hampe,\u00a0Sophie Lin,\u00a0<a href=\"http:\/\/www.kathrinzukowski.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kathrin Zukowski<\/a><br \/>\nMUSICIANS:\u00a0TrioCoriolis\u00a0(Thomas Hofer, Klaus-Peter Werani, Hanno Simons)<\/p>\n<p>LIBRETTO:\u00a0Thomas Jonigk<br \/>\nSCENARIO, MUSIC AND DIRECTION:\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/about\/\">Mathis Nitschke<\/a><br \/>\nSOUNDS:\u00a0Klavikon, Bj\u00f6rn Eichelbaum, Rumpeln, J\u00f6rg H\u00fcttner<br \/>\nLIGHT DESIGN:\u00a0Urs Sch\u00f6nebaum<br \/>\nCOSTUME DESIGN:\u00a0Katharina Dobner<br \/>\nCHOREOGRAFIE:\u00a0Martina La Ragione<\/p>\n<p>APP DESIGN and PROGRAMMING:\u00a0Klasien van de Zandschulp, Luciano Pinna<br \/>\nANIMATIONS based on the Aquarells \u201eTapete I-IV\u201c (2012-2016) by\u00a0Judith Egger<\/p>\n<p>SOUND: Boris Kluska<br \/>\nLASER: Karl-Heinz K\u00e4s<br \/>\nLIGHT: Matthias Wanek<\/p>\n<p>CONCEPT AND PRODUCTION: Mathis Nitschke<br \/>\nDIRECTOR AND PRODUCTION ASSISTENCE:\u00a0Elsa B\u00fcsing<br \/>\nGRAPHIC DESIGN:\u00a0<a href=\"http:\/\/www.anjagerscher.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Anja Gerscher<br \/>\n<\/a>3D SCAN:\u00a0<a href=\"http:\/\/www.youlittle.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">youlittle GmbH<\/a><br \/>\nPR-REDAKTION:\u00a0<a href=\"http:\/\/www.ratundtat-kulturbuero.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Katrin Dollinger<\/a>\u00a0(Rat&amp;Tat kulturbuero)<\/p>\n<p>MAYA was supported by the Cultural Department of the City of Munich, the German Federal Government\u2019s Performing Arts Fund (Fonds Daku) and the creative industries fund The Netherlands. Kindly supported by the Kingdom of the Netherlands and the Bezirksausschuss 22 Aubing \u2013 Lochhausen \u2013 Langwied. Thanks to Allguth GmbH.<\/p>\n<h2>Related:<\/h2>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/how-maya-became-an-economic-success\/\">&#8220;How MAYA became an economic success&#8221; &gt;&gt;&gt;<\/a> <em>How I managed to get an audience for an indie classical music-theatre piece and enjoyed applying creative entrepreneurial strategies to a publicly funded art project.<\/em><\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/en\/what-will-maya-actually-sound-like\/\">&#8220;What will MAYA actually sound like?&#8221; &gt;&gt;&gt;<\/a> <em>About the musical collaboration with Leon Michener aka Klavikon, J\u00f6rg H\u00fcttner, Anton Kaun aka Rumpeln, Bj\u00f6rn Eichelbaum and the TrioCoriolis for the mixed reality techno opera MAYA.<\/em><\/p>\n<p>As an example of my opera work on the classical theatre stage, check\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/happy-happy-en\/\">HAPPY HAPPY &gt;&gt;<\/a><br \/>\nFor another approach to opera in public space, check\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/viola\/\">VIOLA &gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the worlds first Augmented Reality opera, MAYA staged the former heating plant Munich-Aubing as a historic site. Through the AR-app on the own smartphone, the spectator betook himself in the perspective of a new civilization in the distant future, and looked back in amazement on the demise of our current civilization in the near future.<\/p>\n","protected":false},"author":1,"featured_media":8616,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[45],"tags":[49,152,155,154,59,153],"class_list":["post-3776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-theatre","tag-digital-art","tag-gesang-en","tag-live-electronics-en","tag-live-elektronik-en","tag-opera","tag-singing-en","clearfix",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MAYA - Mixed-Reality-Techno-Opera - Mathis Nitschke<\/title>\n<meta name=\"description\" content=\"As the worlds first Augmented Reality opera, MAYA staged the former heating plant Munich-Aubing as a historic site. 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