{"id":5146,"date":"2017-10-17T09:49:06","date_gmt":"2017-10-17T07:49:06","guid":{"rendered":"https:\/\/mathis-nitschke.com\/wp\/?p=4598"},"modified":"2019-01-09T00:15:05","modified_gmt":"2019-01-08T23:15:05","slug":"maya-app","status":"publish","type":"post","link":"https:\/\/mathis-nitschke.com\/en\/maya-app\/","title":{"rendered":"MAYA &#8211; Augmented Reality App"},"content":{"rendered":"<p>The standard theatre situation was reconfigured to an installation- and rave-like\u00a0situation by means of the MAYA augmented reality App. Alive and present as an actor was only the mezzo-soprano Martina Koppelstetter. The digital world from which she\u00a0originated was only visible through smartphones and AR. Experiencing this world through own smartphones, the audience strolled through the ruins and became the counterpart for MAYA with its presence, augmenting MAYA\u2019s loneliness: MAYA had to sing against a mass of audience members gaping through their smartphones.<\/p>\n<p>More about the\u00a0<a href=\"https:\/\/mathis-nitschke.com\/en\/maya\/\">Project here: &gt;&gt;&gt;<\/a><\/p>\n<p><a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-daze_wrapper_width wp-image-5043\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1140x760.jpg\" alt=\"\" width=\"1140\" height=\"760\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_06-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><\/a><br \/>\n<a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-daze_wrapper_width wp-image-5044\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-1140x760.jpg\" alt=\"\" width=\"1140\" height=\"760\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_07-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><\/a><br \/>\n<a href=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-daze_wrapper_width wp-image-5042\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-1140x760.jpg\" alt=\"\" width=\"1140\" height=\"760\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-680x454.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2018\/09\/MathisNitschke_MAYA_05-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The standard theatre situation was reconfigured to an installation- and rave-like\u00a0situation by means of the MAYA augmented reality App. Alive and present as an actor was only the mezzo-soprano Martina Koppelstetter. The digital world from which she\u00a0originated was only visible through smartphones and AR. Experiencing this world through own smartphones, the audience strolled through the ruins and became the counterpart for MAYA with its presence, augmenting MAYA\u2019s loneliness: MAYA had to sing against a mass of audience members gaping through their smartphones.<\/p>\n","protected":false},"author":1,"featured_media":5041,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"inline_featured_image":false,"footnotes":""},"categories":[75,124],"tags":[49,59,62],"class_list":["post-5146","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-interactive","category-extra","tag-digital-art","tag-opera","tag-theatre","post_format-post-format-video","clearfix",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MAYA - Augmented Reality App - Mathis Nitschke<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mathis-nitschke.com\/en\/maya-app\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MAYA - Augmented Reality App - Mathis Nitschke\" \/>\n<meta property=\"og:description\" content=\"The standard theatre situation was reconfigured to an installation- and rave-like\u00a0situation by means of the MAYA augmented reality App. Alive and present as an actor was only the mezzo-soprano Martina Koppelstetter. 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