{"id":5560,"date":"2008-09-25T17:58:10","date_gmt":"2008-09-25T15:58:10","guid":{"rendered":"http:\/\/wp18.mathis-nitschke.com\/?p=5560"},"modified":"2018-09-21T22:44:24","modified_gmt":"2018-09-21T20:44:24","slug":"thetrial","status":"publish","type":"post","link":"https:\/\/mathis-nitschke.com\/en\/thetrial\/","title":{"rendered":"The Trial"},"content":{"rendered":"<p>by Franz Kafka<br \/>\nSchauspielhaus of the M\u00fcnchner Kammerspiele, Septembre 25, 2008<br \/>\nDirector: Andreas Kriegenburg, Stage Design: Andreas Kriegenburg, Costume Design: Andrea Schraad, Light Design: <a href=\"http:\/\/www.gerum.info\/\" target=\"_blank\" rel=\"noopener\">Bj\u00f6rn Gerum<\/a>, Sound Design: Mathis Nitschke, Martin Sraier-Kr\u00fcgermann, Dramaturgy: Matthias G\u00fcnther<br \/>\nStarring: Walter Hess, Sylvana Krappatsch, Lena Lauzemis, Oliver Mallison, Bernd Moss, Annette Paulmann, Katharina Marie Schubert, Edmund Telgenk\u00e4mper<\/p>\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/84428938\" width=\"900\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p><strong>Invited to the Berliner Theatertreffen 2009 and the Wiener Festwochen 2009<br \/>\nBest Stage Design 2009 (Theater heute)<\/strong><br \/>\n<strong>DER PROZESS was invited to the following festivals and theatres:<\/strong><br \/>\nTeatrium, Tschechow Festival Moskau, Juni 2013<br \/>\nCentro Dramatico Nacional, Teatro Valle Inclan, Madrid, Oktober 2011<br \/>\nHamburger Theater Festival, September 2010<br \/>\nFestival d&#8217;Avignon, Juli 2010<br \/>\nTiyatro Festivali Istanbul 2010, Mai 2010<br \/>\nTheater F\u00fcrth, Dezember 2009<br \/>\nFestival deutscher Sprache, Prag, November 2009<br \/>\nTheaterformen, Hannover, Juni 2009<br \/>\nInternationale Maifestspiele, Theater Wiesbaden, Mai 2009<\/p>\n<div class=\"gallery-slider\"><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0600p-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0600p.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0600p.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0600p-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0600p-680x454.jpg 680w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" title=\"Prozess_Prozess0600p\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0646p-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0646p.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0646p.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0646p-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0646p-680x454.jpg 680w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" title=\"Prozess_Prozess0646p\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0668p-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0668p.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0668p.jpg 1024w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0668p-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0668p-680x454.jpg 680w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" title=\"Prozess_Prozess0668p\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2233-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2233-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2233-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2233-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2233-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2233-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"IMG_2233\" \/><span class=\"caption\"><\/span><\/div><div data-thumb=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2241-180x180.jpg\" class=\"gallery-item\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"760\" src=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2241-1140x760.jpg\" class=\"attachment-daze_wrapper_width size-daze_wrapper_width\" alt=\"\" srcset=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2241-1140x760.jpg 1140w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2241-360x240.jpg 360w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2241-680x453.jpg 680w, https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/IMG_2241-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" title=\"IMG_2241\" \/><span class=\"caption\"><\/span><\/div><\/div>\n<p><strong>Sound concept:<\/strong><br \/>\nAndreas Kriegenburg&#8217;s stage design works on two levels: a wall just a few metres behind the front edge of the stage creates a claustrophobically close front stage, into which an initially upright revolving stage is built. When this is lowered, a further space opens to the rear.<br \/>\nThe staging was completely microphoned and amplified so that the actors could strike a non-declamatory note. I translated the perspectives of the stage design into different sound levels: the play on the front stage was amplified by a conventional front sound system, while the play on the revolving stage seemed to come out of the funnel as a phantom source with loudspeakers around the funnel.<br \/>\nThe play of the levels (the actors could move from the forestage to the revolving stage and back) could thus find its full counterpart in the sound.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andreas Kriegenburg&#8217;s stage design (M\u00fcnchner Kammerspiele) works with two layers: a wall just a few metres behind the front edge of the stage creates a claustrophobically close-fitting apron, into which an initially upright revolving stage is built. When this is lowered, a further space opens to the rear. The staging was completely microphoned and amplified so that the actors could strike a non-declamatory note. I translated the perspectives of the stage design into different sound levels and perspectives.<\/p>\n","protected":false},"author":1,"featured_media":5300,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[47,124],"tags":[51,56,61,60],"class_list":["post-5560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sound-mixing","category-extra","tag-event-en","tag-live-electronics","tag-sound-design-en","tag-straight-theatre","clearfix",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Trial - Mathis Nitschke<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mathis-nitschke.com\/en\/thetrial\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Trial - Mathis Nitschke\" \/>\n<meta property=\"og:description\" content=\"Andreas Kriegenburg&#039;s stage design (M\u00fcnchner Kammerspiele) works with two layers: a wall just a few metres behind the front edge of the stage creates a claustrophobically close-fitting apron, into which an initially upright revolving stage is built. When this is lowered, a further space opens to the rear. The staging was completely microphoned and amplified so that the actors could strike a non-declamatory note. I translated the perspectives of the stage design into different sound levels and perspectives.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mathis-nitschke.com\/en\/thetrial\/\" \/>\n<meta property=\"og:site_name\" content=\"Mathis Nitschke\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mathisnitschkemusic\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/mathisnitschkemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2008-09-25T15:58:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-09-21T20:44:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mathis-nitschke.com\/wp18\/wp-content\/uploads\/2008\/09\/Prozess_Prozess0371p.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mathis Nitschke\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@MathisNitschke\" \/>\n<meta name=\"twitter:site\" content=\"@MathisNitschke\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mathis Nitschke\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/thetrial\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/thetrial\\\/\"},\"author\":{\"name\":\"Mathis Nitschke\",\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/#\\\/schema\\\/person\\\/3980ea1103f0353bd467e6e46d0a3706\"},\"headline\":\"The Trial\",\"datePublished\":\"2008-09-25T15:58:10+00:00\",\"dateModified\":\"2018-09-21T20:44:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/thetrial\\\/\"},\"wordCount\":276,\"publisher\":{\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/#\\\/schema\\\/person\\\/3980ea1103f0353bd467e6e46d0a3706\"},\"image\":{\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/thetrial\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mathis-nitschke.com\\\/wp18\\\/wp-content\\\/uploads\\\/2008\\\/09\\\/Prozess_Prozess0371p.jpg\",\"keywords\":[\"Event\",\"Live Electronics\",\"Sound Design\",\"Straight theatre\"],\"articleSection\":[\"Sound design\\\/mixing\",\"xt\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/thetrial\\\/\",\"url\":\"https:\\\/\\\/mathis-nitschke.com\\\/en\\\/thetrial\\\/\",\"name\":\"The Trial - 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