{"id":5918,"date":"2003-12-31T14:49:56","date_gmt":"2003-12-31T13:49:56","guid":{"rendered":"https:\/\/mathis-nitschke.com\/?p=5918"},"modified":"2021-01-18T10:59:22","modified_gmt":"2021-01-18T09:59:22","slug":"sound-design-for-film","status":"publish","type":"post","link":"https:\/\/mathis-nitschke.com\/en\/sound-design-for-film\/","title":{"rendered":"Sound design for film"},"content":{"rendered":"<p>Around the turn of the millennium I was a freelance sound designer for feature films by (among others) Dominik Graf, Jo Baier and Paul Anderson, working at the sound post facilities by ARRI and Bavaria Film. Watch some examples here.<\/p>\n<p>&nbsp;<\/p>\n<h4>Sound design vocal effects: <a href=\"http:\/\/www.imdb.com\/title\/tt0246438\/?ref_=nm_flmg_snd_15\" target=\"_blank\" rel=\"noopener\">AUF HERZ UND NIEREN<\/a><br \/>\n(Thomas Jahn and Til Schweiger, 2001)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Auf Herz und Nieren\" src=\"https:\/\/player.vimeo.com\/video\/75588932?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Additional sound design zombies and monsters: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Resident_Evil_%28film%29\" target=\"_blank\" rel=\"noopener\">RESIDENT EVIL<\/a><br \/>\n(Paul Anderson, 2002)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Resident Evil\" src=\"https:\/\/player.vimeo.com\/video\/85446976?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Sound design TV-movie: <a href=\"http:\/\/www.imdb.com\/title\/tt0339635\/?ref_=nm_flmg_snd_9\" target=\"_blank\" rel=\"noopener\">SCHWABENKINDER<\/a><br \/>\n(Jo Baier, 2003)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Schwabenkinder\" src=\"https:\/\/player.vimeo.com\/video\/149746078?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Sound design TV-movie: <a href=\"https:\/\/de.wikipedia.org\/w\/index.php?title=Die_Freunde_der_Freunde&amp;stable=0&amp;shownotice=1\" target=\"_blank\" rel=\"noopener\">THE FRIENDS OF FRIENDS<\/a><br \/>\n(Dominik Graf, 2002)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Die Freunde der Freunde\" src=\"https:\/\/player.vimeo.com\/video\/149749413?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Foley editing: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Luther_%282003_film%29\" target=\"_blank\" rel=\"noopener\">LUTHER<\/a><br \/>\n(Eric Till, 2003)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Luther\" src=\"https:\/\/player.vimeo.com\/video\/149736462?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Sound design short film: <a href=\"http:\/\/svenluetzenkirchen.de\/\" target=\"_blank\" rel=\"noopener\">AIR<\/a><br \/>\n(Sven L\u00fctzenkirchen, 2002)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Air\" src=\"https:\/\/player.vimeo.com\/video\/149693225?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Field recording and sound editing: NITSCHEWO<br \/>\n(Stefan Sarazin, 2002)<\/h4>\n<p><iframe loading=\"lazy\" title=\"Nitschewo\" src=\"https:\/\/player.vimeo.com\/video\/149889891?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Around the turn of the millennium I was a freelance sound designer for feature films by (among others) Dominik Graf, Jo Baier and Paul Anderson, working at the sound post facilities by ARRI and Bavaria Film. Watch some examples here.<\/p>\n","protected":false},"author":1,"featured_media":5915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[47,124],"tags":[],"class_list":["post-5918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sound-mixing","category-extra","clearfix",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sound design for film - Mathis Nitschke<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mathis-nitschke.com\/en\/sound-design-for-film\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sound design for film - Mathis Nitschke\" \/>\n<meta property=\"og:description\" content=\"Around the turn of the millennium I was a freelance sound designer for feature films by (among others) Dominik Graf, Jo Baier and Paul Anderson, working at the sound post facilities by ARRI and Bavaria Film. 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