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January 2017

Vergehen (passing) – opera, that you walk

13 January 2017 - 31 December 2020
Isar unterhalb des Maximilianeums München, Max-Planck-Straße 2
München, 81675 Germany
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VERGEHEN is an opera that you walk. Simply download the VERGEHEN app to your smartphone, take your headphones and walk at the Munich river Isar. You can walk VERGEHEN on any day at any time and in any weather. With Sarah Aristidou (Vocals) and Anja Lechner (Cello) More Informationen here: https://mathis-nitschke.com/en/vergehen/  

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October 2019

RE:ECM @ Storage, Seoul

17 October 2019 - 29 February 2020
Storage by Hyundai Card in Seoul, 248, Itaewon-ro, Yongsan-gu
Seoul (B2F), Südkorea
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In this group exhibition at Storage by Hyundai Card in Seoul, six artists reflect on the meanwhile 50-year-old oeuvre of the record label ECM Records. Instead of - as the poster suggests - presenting relics and devotional objects from the history of ECM, we try to pour the meaning and effects that ECM has had and still has on our work and life into our own artistic positions.

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November 2019

Only you know if we made it or not! (World Premiere)

19 November @ 20:00 - 22:00
HochX, Entenbachstr. 37
München, Deutschland
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Emre Akal and his team ask for it, starting from an omnipresent end time mood: What comes after the imaginable future, after the collapse of liberal democracy and old Europe as we knew it? In a formally abstract world of images, they let the future rub against the past, dig the people of tomorrow in the rubble of memory in order to create the design of a society for tomorrow from the ruins of the past - always remembering: What are we leaving behind as society today, the people of the future, and will we have learned from our mistakes? What remains of... us?

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January 2020

Mephisto (premiere)

24 January 2020 @ 19:30 - 22:00
Staatstheater Kassel, Friedrichsplatz 15
Kassel, Deutschland
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by Thomas Jonigk after Klaus Mann DIRECTOR: Thomas Jonigk Stage and costumes: Ric Schachtebeck MUSIC | TON | VIDEO: Mathis Nitschke DRAMATURGY: Thomaspeter Goergen LIGHT: Christian Franzen The fascination of the downfall that one even denies seeing eye. The eroticism of evil, sex appeal of destruction. Babylon Berlin, the Pompeii between the world wars. Russian gangs, German fascists* inside, international careerists* inside, party people between Moka Efti and Berghain, conspiracies, party cries, the latent excitement: everything can fly around our…

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