A listening installation for those who died alone and unnoticed and for those who will die alone and unnoticed in the future by Gesche Piening, with a composition by Mathis Nitschke (among others)

19. September bis 22. November 2020, St. Lukas, Mariannenplatz, München

In dialogue with a learning machine: an exploration of music, interactive theatre and live performance through Artificial Intelligence

EMCY spielt Real-World Musik Junge Musiker*innen an der Schnittstelle zwischen gewonnenen Wettbewerben und professioneller Laufbahn spielen in einem nahbaren Konzert Kompositionen von u.a. Claude Vivier, Manuela Kerer und Luciano Berio. Konzertdesign und künstlerische Leitung: Mathis Nitschke

already for the third time the Ebersberger Kunstverein (near Munich) organizes the ARKADIEN-Festival from May 19th! The theme of the third edition "Brave New World" is a reference to Aldous Huxley's novel of the same name, which sketches a dystopian future as it becomes more and more reality in the eyes of some. I am...

With Jonas Kaufmann Helmut Deutsch, Pianist Claus Guth, Director Michael Levine, Scenic Design Urs Schönebaum, Lighting Design Rocafilm, Video Design Mathis Nitschke, Sound Composition A New Commission by Park Avenue Armory In a rare solo performance, Jonas Kaufmann, “the world’s greatest tenor” (The Telegraph, UK), takes on the Wade Thompson Drill Hall in a theatrical staging...

I helped artist Taryn Simon realizing her large scale sound installation. "In a relentless replay, the lamentations of professional mourners are broadcast into the reverberating space of Cisternerne. These sonic rituals of grief include northern Albanian laments, which seek to excavate ‘uncried words’; Wayuu laments, which safeguard the soul’s passage to the Milky Way; Greek...