© 1996-2018 Mathis Nitschke. All rights reserved.
sound designer, composer, director
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Sound design/mixing

BlogInteractiveSound design/mixing

The sound within the orchestra

The sound impression for the musician in the orchestra is clearly different from the sound impression of the audience. Not only the instruments, but the entire body of sound is designed to resonate with the concert hall and enter into a symbiotic connection with the room. As a listener in the hall, one hears the result of this complex connection. Is it possible to let a listener hear the sound of the musician within the orchestra through media? Report on a 360° Virtual Reality research project with the Munich Symphony Orchestra

14. December 2018
Sound design/mixingxt

Clavigo

Theatre sound designer at the Salzburger Festspiele 2015 for "Clavigo" after Johann Wolfgang Goethe at the Salzburger Landestheater directed by Stephan Kimmig

27. July 2015
BlogSound design/mixingxt

Revolution Acoustics Transducer Test

While researching transducers I found the cheap products like Visaton etc., some new companies in the mid range and a new higher end company name Revolution Acoustics. To get an idea how those high end and mid range models perform, I bought them and made a test (I ruled out the cheap ones immediately). I would have loved to find a video like this on the internet while doing my research, so I decided to make one.

17. April 2015
Sound design/mixingxt

This New Ocean

The orchestration of This New Ocean makes it essential to reinforce the strings in order to prevail against brass and drums. The successful mixture of musical and modern opera (Comp. Nelida Bejar) is further emphasized by the sound of amplified bass drum and electric guitar. I amplified the vocal soloists with headsets and supported the amateur choir with stage microphones.

30. May 2014
Sound design/mixing

Musica Viva

Live sound design for concerts of the Musica Viva series of the Symphonieorchester des Bayerischen Rundfunk, e.g. on 6 February 2014 with Helmut Lachenmann and Peter Eötvös in the Herkulessaal of the Residenz Munich.

6. February 2014
Sound design/mixing

Capstan

As a former restauration engineer at MSM-Studios München I was again and again confronted with the at that time impossible task of correcting wow and flutter problems. In 2011 this problem re-entered my life and during a talk with Peter Neubäcker of Celemony Software (Melodyne) I got him attracted to this issue. Some time later "Capstan" was onto market and I'm the product specialist.

24. June 2011
Sound design/mixing

Klang auf Schön Berg La Monte Young

For this composition by Wolfgang von Schweinitz I developed ring modulators in the old transformer diode circuit as it was used in the 1950s. This circuit sounds fundamentally different than the simple digital multiplication of two signals, as it is used today in digital live electronics: full of sonorous beauty.

8. June 2011
Sound design/mixing

Winter Journey (Winterreise)

With over 20 productions Elfride Jelineks Winterreise (Winter Journey) belongs to the most performed theatre plays of the recent years. For the world premiere in 2011 at the Münchner Kammerspiele by director Johan Simons I created the live sound design and took care of many guest perfomances.

3. February 2011
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