Invitation as speaker to the Karajan Music Tech Conference in Salzburg, together with Annette Josef, managing director of the Munich Symphony Orchestra. We will talk about my project Parzival.ai, which I am currently developing and trying to finance. Parzival.ai is a music-theatrical encounter with a learning machine. Check it out at http://parzival.ai.   https://www.karajanmusictech.com  

“MAYA” was selected for the Project Pitch Presentations at the Classical:NEXT 2019 in Rotterdam, 16.5.2019 Info: https://www.classicalnext.com/programme/project_pitches

Performance Invitation of VIOLA at the Operadagen Rotterdam https://www.operadagenrotterdam.nl/programma/ https://mathis-nitschke.com/viola/

Meet me at the Opera Beyond Conference by the Finnish National Opera in Helsinki

8-12 July 2019, pedestrian zone in front of the Kunsthalle Munich: There, a homeless person appears in the midst of lustfully shopping, well dressed people. In the hopelessness of her existence, she transfigures everything ordinary into art. Sounds from her memory fit into an orchestration of the urban sound space. Everything she hears becomes a global song in which, like Wagner's Isolde, she finds redemption through death and resurrection in love.

by Carolin Emcke in a stage version by Thomas Jonigk Schauspiel KölnPremiere: 21. September 2019 Regie: Thomas Jonigk Bühne: Lisa Däßler Kostüme: Esther Geremus Musik/Sound: Mathis Nitschke

In this group exhibition at Storage by Hyundai Card in Seoul, six artists reflect on the meanwhile 50-year-old oeuvre of the record label ECM Records. Instead of - as the poster suggests - presenting relics and devotional objects from the history of ECM, we try to pour the meaning and effects that ECM has had and still has on our work and life into our own artistic positions.