8-12 July 2019, pedestrian zone in front of the Kunsthalle Munich: There, a homeless person appears in the midst of lustfully shopping, well dressed people. In the hopelessness of her existence, she transfigures everything ordinary into art. Sounds from her memory fit into an orchestration of the urban sound space. Everything she hears becomes a global song in which, like Wagner's Isolde, she finds redemption through death and resurrection in love.

by Carolin Emcke in a stage version by Thomas Jonigk Schauspiel KölnPremiere: 21. September 2019 Regie: Thomas Jonigk Bühne: Lisa Däßler Kostüme: Esther Geremus Musik/Sound: Mathis Nitschke

In this group exhibition at Storage by Hyundai Card in Seoul, six artists reflect on the meanwhile 50-year-old oeuvre of the record label ECM Records. Instead of - as the poster suggests - presenting relics and devotional objects from the history of ECM, we try to pour the meaning and effects that ECM has had and still has on our work and life into our own artistic positions.

A listening installation for those who died alone and unnoticed and for those who will die alone and unnoticed in the future by Gesche Piening, with a composition by Mathis Nitschke (among others)

19. September bis 22. November 2020, St. Lukas, Mariannenplatz, München

In dialogue with a learning machine: an exploration of music, interactive theatre and live performance through Artificial Intelligence

EMCY spielt Real-World Musik Junge Musiker*innen an der Schnittstelle zwischen gewonnenen Wettbewerben und professioneller Laufbahn spielen in einem nahbaren Konzert Kompositionen von u.a. Claude Vivier, Manuela Kerer und Luciano Berio. Konzertdesign und künstlerische Leitung: Mathis Nitschke