BlogSound design/mixingxt
Vocal amplification and sound design in operas
In my operas JETZT and HAPPY HAPPY I composed myself into the opera as a sound director, following a few basic thoughts on the subject of classical singing:
In my operas JETZT and HAPPY HAPPY I composed myself into the opera as a sound director, following a few basic thoughts on the subject of classical singing:
At the time, when I could still repair my car myself, I could recognize the condition of the car by the sound of the blinker relay. This click-clack was caused by an electromagnetic switching process. The relay is a mechanical component that wears out and changes its sound as the vehicle ages. The relay resinifies, the clacking becomes harder.
The pitiful attempt of a diary about my collaboration with Michel Houellebecq