BlogMusic theatrext
MLure.art
Most of my current blogging is happening here at the moment: https://MLure.art is a new central blog covering artistic research projects related to Machine Learning (= Artificial Intelligence) in theatre and music.
Sound design/mixingxt
Sound Mix Concert Video Duo2KW
I did the sound mixing for this concert video with very unusual music. DUO2KW with Klaus-Peter Werani, viola, and Kai Wangler, accordion, have produced their corona-canceled concert in the schweres reiter for the online stream and address the audience directly in the stream with the composers. Compositions by Morton Feldman, Sidney Corbett, Harald Lillmeyer, Stefan Prins and Philipp Mayer (UA) can be heard and seen. An arc is drawn from the "New York School" (Morton Feldman) to contemporary composition with various forms of electronics and playback (Prins and Mayer).
BlogCommunicationMusic theatrext
How MAYA became also an economic success
How I managed to get an audience for an independent experimental music-theatre piece and enjoyed applying creative entrepreneurial strategies to a publicly funded art project. I hope this report to be inspiring and motivating to fellow theatre makers. An adventure report.
Music for the stagext
Mephisto
Klaus Mann outlined in his novel the timeless dancing on the volcano and the fall of the glamorous. A panorama of his contemporaries, the artists and intellectuals, children of the gods of the Golden Twenties, who did not want to give up their ecstasy even when swastikas were already flying over Babylon. But above all, the text is a portrait of a famous actor: Gustaf Gründgens. Staging by Thomas Jonigk at the Staatstheater Kassel.
BlogSound design/mixingxt
Ambiophonics or the art of increasing the stereo width
Ambiophonics is a less obscure matter than I thought. At first I thought it was just one of the usual phasiness causing improvements for the worse in the sense of pseudo-stereo, but the technique has real potential. Especially for installations, for example.
Music for the stagext
Only you know if we made it or not!
Starting from an omnipresent end-time mood, Emre Akal and his team ask for this: "What is it that you are looking for? What comes after the imaginable future, after the collapse of liberal democracy and old Europe as we knew it? In a formally abstract world of images, they let the future rub against the past - always remembering: What are we leaving behind as society today, the people of the future, and will we have learned from our mistakes? What remains of... us?
Blogxt
… and the music keeps on playing on and on …
As a student I had made it my habit not to turn off the music when I left the apartment but the album I was listening to had not yet come to an end. To me it seemed disrespectful towards the music to just turn it off. What was brought into oscillation should be allowed to finish. On the creation of "Small Places", a sound installation for ECM Records‘ 50th anniversary as part of the RE:ECM exhibition at Storage by Hyundai Card in Seoul, Korea, 2019.
Music for the stagext
Against Hate
"Sometimes I ask myself how they can do that: to hate so much. How they can be so sure. Because that's what the haters must be: safe. Otherwise they wouldn't speak like that, hurt like that, murder like that. They must be sure. Without any doubt. Doubtful of hate cannot be hated." On the basis of concrete incidents, Emcke examines institutional racism, group-related misanthropy and disregard and finally pleads for a heterogeneous society and humanism.
BlogMusic theatrext
“A Moment of Art of Living” – thoughts by Elsa Büsing on ISOLDE
Romantisation and dissection of our reality: "...at the same time we are made aware of the fact that we all too often do not want to see the other side of prosperity, poverty, loneliness, social inequality, especially in Munich, we surround ourselves with bulletproof glass 'in order not to break', as a passer-by remarked."
Music theatrext
Isolde
The pedestrian zone in front of the Kunsthalle Munich: There, a homeless person appears in the midst of lustfully shopping, well dressed people. In the hopelessness of her existence, she transfigures everything ordinary into art. Sounds from her memory fit into an orchestration of the urban sound space. Everything she hears becomes a global song in which, like Wagner's Isolde, she finds redemption through death and resurrection in love.