The first performance of Pension Schöller took place in Berlin in 1890, was filmed several times and has since regularly caused tears in the theater, of course with laughter. Thomas Jonigk undertakes a fundamental reworking of the play and transports the supposedly harmless comedy into our Federal Republic reality, where the boundaries between delusion, grotesqueness, nightmare and political everyday life can often no longer be drawn. Staatstheater Kassel, premiere July 2, 2021
With the Sonic Presence SP15 microphone, high-quality sound recordings can be made without effort: you always have the microphone with you, you don't need a tripod, your smartphone serves as a recorder. It captures the sound impression at the position of the listener in a credible way. A review.
Most of my current blogging is happening here at the moment: https://MLure.art is a new central blog covering artistic research projects related to Machine Learning (= Artificial Intelligence) in theatre and music.
Already in 1990, musical experiments with analog neural networks have been made. David Tudor, a major figure in the New York experimental music scene, collaborated with Intel to build the very first analog neural synthesizer.
I did the sound mixing for this concert video with very unusual music. DUO2KW with Klaus-Peter Werani, viola, and Kai Wangler, accordion, have produced their corona-canceled concert in the schweres reiter for the online stream and address the audience directly in the stream with the composers. Compositions by Morton Feldman, Sidney Corbett, Harald Lillmeyer, Stefan Prins and Philipp Mayer (UA) can be heard and seen. An arc is drawn from the "New York School" (Morton Feldman) to contemporary composition with various forms of electronics and playback (Prins and Mayer).
How I managed to get an audience for an independent experimental music-theatre piece and enjoyed applying creative entrepreneurial strategies to a publicly funded art project. I hope this report to be inspiring and motivating to fellow theatre makers. An adventure report.
Klaus Mann outlined in his novel the timeless dancing on the volcano and the fall of the glamorous. A panorama of his contemporaries, the artists and intellectuals, children of the gods of the Golden Twenties, who did not want to give up their ecstasy even when swastikas were already flying over Babylon. But above all, the text is a portrait of a famous actor: Gustaf Gründgens. Staging by Thomas Jonigk at the Staatstheater Kassel.
Ambiophonics is a less obscure matter than I thought. At first I thought it was just one of the usual phasiness causing improvements for the worse in the sense of pseudo-stereo, but the technique has real potential. Especially for installations, for example.
Starting from an omnipresent end-time mood, Emre Akal and his team ask for this: "What is it that you are looking for? What comes after the imaginable future, after the collapse of liberal democracy and old Europe as we knew it? In a formally abstract world of images, they let the future rub against the past - always remembering: What are we leaving behind as society today, the people of the future, and will we have learned from our mistakes? What remains of... us?