© 1996-2021 Mathis Nitschke. All rights reserved.
sound designer, composer, director
BlogSound design/mixing

The sound within the orchestra

The sound impression for the musician in the orchestra is clearly different from the sound impression of the audience. Not only the instruments, but the entire body of sound is designed to resonate with the concert hall and enter into a symbiotic connection with the room. As a listener in the hall, one hears the result of this complex connection. Is it possible to let a listener hear the sound of the musician within the orchestra through media? Report on a 360° Virtual Reality research project with the Munich Symphony Orchestra

14. December 2018
Film musicInteractive

ANON – The Game: Escape the murder

ANON: Escape the Murder is a first person adventure game series based on the world of ANON the film created by critically acclaimed and award winning director Andrew Niccol (known for Gattaca, In Time). The mobile action adventure combines the thrilling story-world of the film with cutting-edge mobile technology to create a highly immersive gaming experience.

14. June 2018
NEWSLETTER

Film music

Living in Demmin

Martin Farkas shows a city left alone with its history. His film tells a completely uneducated and open story of fear, peer pressure and historical trauma, xenophobia, false mourning and the political abuse of emotions. And it shows how strongly the present is connected with the past.

26. February 2018
Music theatre

MAYA – Mixed-Reality-Techno-Opera

As the worlds first Augmented Reality opera, MAYA staged the former heating plant Munich-Aubing as a historic site. Through the AR-app on the own smartphone, the spectator betook himself in the perspective of a new civilization in the distant future, and looked back in amazement on the demise of our current civilization in the near future.

18. October 2017
Music projects

Kabelsteg

London Label Nonclassical included my composition 'Kabelsteg' in their first release of the series Outside the lines, a fascinating compilation of interesting positions in the young classical music.

18. March 2017
Music theatre

KATHARINA

Worthless. Placeless. Katharina has lost everything: the lover, the job, the apartment. In her fight against oblivion she develops extreme, hateful energies. The bustle on Münchner Freiheit serves as a stage for a fictional character who is about to exceed the normative limits of social behavior once and for all.

14. September 2016
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Music theatre

VIOLA

The audience sits in the pharmacy and looks through the shop windows onto Pasing Station Square. Viola, an apparently sad and disoriented woman, appears on the scene. She seems to be in shock, having lost touch with time and space: "Is that inside or outside now? Is it still yesterday today?"

3. July 2015
Music theatre

Happy Happy

There is no alternative. The public debate is under the seal of fatalism. There is no other objective than that of universal restrictions. Happy Happy brings together, in a sort of cabinet of wonders, impressions, quotations and scenes to become the plea for autonomy and co-humanity. The opera, written for a singer and a chorus, explores, in so doing, the connection between individual and crowd. It turns out that the person's singing gets lost in the hot-tempered aspiration of the multitude at the celebration. And life goes on. Happy Happy. (Commissioned by the National Opera Montpellier)

8. October 2014